Panel: Confession and Testimony As Repertoires of Contention in Conflict Zones (Vienna, July 12, 2016)

futureswewant
Confession and Testimony As Repertoires of Contention in Conflict Zones
Tuesday, 12 July 2016: 10:45-12:15
Room: Hörsaal 21

RC48 Social Movements, Collective Actions and Social Change (host committee)

Language: English

Confession and testimony are central repertoires of contention in the disclosure of “ugly pasts.” Solidarity movements mobilize testimony to diffuse human rights violations condoned and supported by their own societies. Less attention has been paid to the deployment of testimony and confession by anti-denial movements, movements that demand that the members of their own societies acknowledge the “problematic present” in situations of ongoing ethno-national conflict, and take responsibility for it and action against it.
This session invites research that engage in the analysis of confession and testimony in contemporary conflicts by members of the perpetrator nation amongst them:

  • Are these repertoires gendered and how?
  • What are the groups that engage in testimony and confession?
  • How states and civil societies in perpetrator nations react to anti-denial movements?
  • Anti-denial movements and national identity.
Session Organizer:
Sara HELMAN, Ben Gurion University of the Negev, Israel

Oral Presentations:

Dis/Acknowledging Military Violence: Women Soldiers Testify Against the Occupation
Edna LOMSKY-FEDER, Department of Sociology and Anthropology and School of Education, Israel; Orna SASSON-LEVY, Department of Sociology and Anthroplogy Bar Ilan University, Israel

New Article: Farrell & Allan, The Politics of Citizen Videos

Farrell, Nathan, and Stuart Allan. “Redrawing Boundaries: WITNESS and the Politics of Citizen Videos.” Ethnicities (early view; online first).

 

URL: http://dx.doi.org/10.1177/1742766515606291

 

Abstract

This article engages with several pressing issues revolving around ‘citizen witnessing’, with specific reference to the human rights advocacy group, WITNESS. In the course of tracing WITNESS’ development over the past two decades, it offers an evaluative assessment of the challenges its members have faced in promoting a grassroots, citizen-centred approach to video reportage. More specifically, this advocacy is informed by an ethical commitment to advancing human rights causes by equipping citizens in crisis situations with cameras, and the training to use them, so that they might bear witness to the plight of others. In so doing, this article argues, WITNESS offers a tactical reformulation of the guiding tenets of peace journalism, one with considerable potential for recasting anew its strategic priorities.

 

 

 

 

New Article: Shalev, Medical Neutrality and the Visibility of Palestinian Grievances in Jewish-Israeli Publics

Shalev, Guy. “A Doctor’s Testimony: Medical Neutrality and the Visibility of Palestinian Grievances in Jewish-Israeli Publics.” Culture, Medicine, and Psychiatry (early view; online first).

 

URL: http://dx.doi.org/10.1007/s11013-015-9470-7

 

Abstract

This paper follows the testimony of Izzeldin Abuelaish, a Palestinian physician who bears witness to his experiences working, living, and suffering under Israeli rule. He presents his story as a doctor’s story, drawing on his identity as a medical professional to gain credibility and visibility and to challenge the limited legitimacy of Palestinian grievances. In this paper, I explore his testimony as a medical voice that at once recounts the suffering and loss endured by the Palestinian people and also struggles to negotiate the values associated with being a “reliable” witness. Consequently, I ethnographically examine the social life and reception of his story in Jewish-Israeli publics. In comparison with most Palestinian narratives, Abuelaish’s testimony achieved an extremely rare degree of visibility and sympathy, a phenomenon that calls out for analysis. I identify the boundaries that typically render Palestinian grievances invisible to Israeli publics and suggest how medicine’s self-proclaimed ethos of neutrality served as a channel for crossing them. Finally, I reflect on the political possibilities and limitations of medical witnessing to render suffering visible and arouse compassion toward those construed as a dangerous/enemy Other.

 

 

New Article: Helman, Challenging the Israeli Occupation Through Testimony and Confession

Helman, Sara. “Challenging the Israeli Occupation Through Testimony and Confession: the Case of Anti-Denial SMOs Machsom Watch and Breaking the Silence.” International Journal of Politics, Culture, and Society (early view; online first).

 

URL: http://dx.doi.org/10.1007/s10767-015-9198-y

 

Abstract

This article analyzes the repertoires of contention and discourse of two Israeli anti-denial movements, Breaking the Silence and Machsom Watch. Through confession and testimony, both social movement organizations (SMOs) demand that Israeli society acknowledge its “problematic present,” which includes human rights violations in the Palestinian Occupied Territories in a situation of ongoing ethno-national conflict, and insist that it take responsibility for this reality and act against it. It is based on the interpretative analyses of both SMOs’ reports. Reports are analyzed as narratives in the context of Israel’s national identity and its main motives which are also constitutive of a culture of collective denial. The article compares the testimonial practices of Machsom Watch to testimonies of women in Truth and Reconciliation Commissions and the confessions of Breaking the Silence veterans to those displayed in Truth and Reconciliation Commissions as well as confessions of veterans during the war in Iraq and Afghanistan. Confession and testimony are usually analyzed as blazing the path to a new and inclusive national identity (as was the case in South Africa). In the case of Israel, however, their adoption and mobilization destabilize national identity and turn it into a field of contention.

New Book: Yosef and Hagin, eds. Trauma and Memory in Israeli Cinema

Yosef, Raz and Boaz Hagin. Deeper than Oblivion. Trauma and Memory in Israeli Cinema. New York and London: Bloomsbury Academic, 2013.

oblivion

 

URL: http://www.bloomsbury.com/us/deeper-than-oblivion-9781441199263/

 

In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention. Tracing a long line of films from the 1940s up to the 2000s, the contributors use close readings of these films not only to reconstruct the past, but also to actively engage with it. Addressing both high-profile and lesser known fiction and non-fiction Israeli films, Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma. By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today.

Table of Contents

Acknowledgments

Chapter 1: Sweet on the Inside: Trauma, Memory, and Israeli Cinema Boaz Hagin and Raz Yosef

Chapter 2: Postscript to Israeli Cinema: East/West and the Politics of Representation Ella Shohat

Chapter 3: Gender, the Military, Memory, and the Photograph: Tamar Yarom’s To See If I’m Smiling and American Films about Abu Ghraib Diane Waldman

Chapter 4: The Event and the Picture: David Perlov’s My Stills and Memories of the Eichmann Trial Anat Zanger

Chapter 5: The Agonies of an Eternal Victim: Zionist Guilt in Avi Mograbi’s Happy Birthday, Mr. Mograbi Shmulik Duvdevani

Chapter 6: Traces of War: Memory, Trauma, and the Archive in Joseph Cedar’s Beaufort Raz Yosef

Chapter 7: Memory of a Death Foretold: Fathers and Sons in Assi Dayan’s “Trilogy” Yael Munk

Chapter 8: Queering Terror: Trauma, Race, and Nationalism in Palestinian and Israeli Gay Cinema during the Second Intifada Raya Morag

Chapter 9: “Our Traumas”: Terrorism, Tradition, and Mind Games in Frozen Days Boaz Hagin

Chapter 10: History of Violence: From the Trauma of Expulsion to the Holocaust in Israeli Cinema Nurith Gertz and Gal Hermoni

Chapter 11: Last Train to the Holocaust Judd Ne’eman and Nerit Grossman

Chapter 12: Passages, Wars, and Encounters with Death: The Desert as a Site of Memory in Israeli Film Yael Zerubavel

Chapter 13: “Walking through walls”: Documentary Film and Other Technologies of Navigation, Aspiration, and Memory Janet Walker

Notes on Contributors

Index

 

ToC: Melilah: Manchester Journal of Jewish Studies Volume 10 (2013)

Melilah: Manchester Journal of Jewish Studies Volume 10 (2013), Israel Studies theme www.melilahjournal.org/p/2013.html

Open Access, freely available online.

Editors: Daniel R. Langton and Renate Smithuis

Contents

1. Daniel Langton, Abraham Isaac Kook’s Account of ‘Creative Evolution’: A Response to Modernity for the Sake of Zion

The Chief Rabbi of Israel and religious Zionist Abraham I. Kook is well known for having written about evolution. His mystical interpretation of the theory is often presented as a synthetic or complementary model that effectively offered a defence of Judaism in the context of the religion-science debate. But this is not the only context in which one might consider his views on the topic. From a political perspective, one might note his interest in the influence of Darwinism in the thought of secular Jews. And if one gives due weight to his appreciation of secular Zionists’ work in building up the Land and combines this with his earlier, often overlooked writings on evolution in which the mystical dimension is missing, then it is possible to suggest that his engagement with evolutionary theory reflected as much a political concern to build bridges between religious and non-religious Zionists as it expressed a theological defence of traditional Judaism against the challenges of modern science.  

 

2. Simon Mayers, Zionism and Anti-Zionism in the Catholic Guild of Israel:

Bede Jarrett, Arthur Day and Hans Herzl

This article examines Zionism and Anti-Zionism in the discourse of key members of the Catholic Guild of Israel, an English Catholic movement for the conversion of the Jews. The central theme in the discourse of the Guild was Jewish ‘power’.It was argued that the Jews had great vitality, zeal and energy, which made them dangerous outside of the Church, but an asset if they could be brought into it. This idea was disseminated by Bede Jarrett and Arthur Day, the two most senior and prolific members of the Guild. Their notions of Jewish power influenced their views about Jews and Zionism. They both saw Jewish power and Zionism as a threat and opportunity, but Jarrett placed the emphasis on threat, whilst Day placed the emphasis on opportunity. One prominent member of the Guild who did not gravitate to their views was Hans Herzl, a convert to Catholicism and the son of the Zionist leader, Theodor Herzl. On the surface Hans adopted the anti-Zionism of Jarrett. Unlike Jarrett, however, Hans believed in Jewish nationalism, although he interpreted it as a spiritual rather than political movement. His ideal Jewish nation was a ‘Christian theocracy of Jewish faith’ with the Pope as sovereign and protector. 

 

3. Roman Vater, Down with Britain, away with Zionism: the ‘Canaanites’ and ‘Lohamey Herut Israel’ between two adversaries

The imposition of the British Mandate over Palestine in 1922 put the Zionist leadership between a rock and a hard place, between its declared allegiance to the idea of Jewish sovereignty and the necessity of cooperation with a foreign ruler. Eventually, both Labour and Revisionist Zionism accommodated themselves to the new situation and chose a strategic partnership with the British Empire. However, dissident opinions within the Revisionist movement were voiced by a group known as the Maximalist Revisionists from the early 1930s. This article analyzes the intellectual and political development of two Maximalist Revisionists – Yonatan Ratosh and Israel Eldad – tracing their gradual shift to anti-Zionist positions. Some questions raised include: when does opposition to Zionist politics transform into opposition to Zionist ideology, and what are the implications of such a transition for the Israeli political scene after 1948?

 

4. Dvir Abramovich, Breaking Taboos in Israeli Holocaust Literature

This article focuses on the phenomenon of second-generation Israeli Holocaust literature, also known as ‘bearing witness’ fiction, that appeared with great resonance on the Hebrew literary scene in the 1980s. It argues that this new band of writers overcame the dual moral obstacles of describing a reality that they did not directly experience and making art of a subject that defies human comprehension. The article focuses on one particularly important novel, Agadat Ha-agamim Ha-atzuvim (The Legend of the Sad Lakes) by Itamar Levy, which tested the limits of representation of the Holocaust and provoked intense debate about its graphic and violent scenes of Jews tortured by the Nazis as well as about its postmodern techniques in portraying the Holocaust experience. The article maintains that despite the fact that Agadat Ha-agamim Ha-atzuvimbroke taboos in Israeli Holocaust literature with its disturbing, and perhaps sensational sequences, that at heart Levy’s narrative presents a profound confrontation with the anguished past that affords young readers the necessary gateway to engage with the Holocaust on an individual, rather than a public level. The article makes the case that novels such as Agadat Ha-agamim Ha-atzuvimrepresent deeply veined journeys into the heart of the Nazi beast, by Israeli writers who are propelled by a wish to unshackle the Shoah from the fetters of the collective and reclaim it as a personal experience.

5. Tessa Satherley, ‘The Simple Jew’: The ‘Price Tag’ Phenomenon, Vigilantism, and Rabbi Yitzchak Ginsburgh’s Political Kabbalah

This paper explores the Kabbalistic theosophy of Rabbi Yitzchak Ginsburgh, and allegations of links between his yeshiva and violent political activism and vigilantism. Ginsburgh is head of the yeshiva Od Yosef Chai (Joseph Still Lives) in Samaria/the northern West Bank. His students and colleagues have been accused by the authorities of violence and vandalism against Arabs in the context of ‘price tag’ actions and vigilante attacks, while publications by Ginsburgh and his yeshiva colleagues such as Barukh HaGever (Barukh the Man/Blessed is the Man) and Torat HaMelekh (The King’s Torah) have been accused of inciting racist violence. This paper sketches the yeshiva’s history in the public spotlight and describes the esoteric, Kabbalistic framework behind Ginsburgh’s politics, focusing on his political readings of Zoharic Kabbalah and teachings about the mystical value of spontaneous revenge attacks by ‘the simple Jew’, who acts upon his feelings of righteous indignation without prior reflection. The conclusion explores and attempts to delimit the explanatory power of such mystical teachings in light of the sociological characteristics of the Hilltop Youth most often implicated as price tag‘operatives’ and existing scholarly models of vigilantism. It also points to aspects of the mystical teachings with potential for special potency in this context.

Centre for Jewish Studies

University of Manchester

www.melilahjournal.org

New Publication: Matar and Harb, Narrating Conflict in the Middle East

Dina Matar (author), Zahera Harb (author), eds. Narrating Conflict in the Middle East: Discourse, Image and Communications Practices in Lebanon and Palestine. London: Tauris, 2013.

Narrating the conflict - cover

The term conflict has often been used broadly and uncritically to talk
about diverse situations ranging from street protests to war, though the
many factors that give rise to any conflict and its continuation over a
period of time vary greatly. The starting point of this innovative book
is that it is unsatisfactory either to consider conflict within a
singular concept or alternatively to consider each conflict as entirely
distinct and unique; Narrating Conflict in the Middle East explores
another path to addressing long-term conflict. The contributors set out
to examine the ways in which such conflicts in Palestine and Lebanon
have been and are narrated, imagined and remembered in diverse spaces,
including that of the media. They examine discourses and representations
of the conflicts as well as practices of memory and performance in
narratives of suffering and conflict, all of which suggest an embodied
investment in narrating or communicating conflict. In so doing, they
engage with local, global, and regional realities in Lebanon and in
Palestine and they respond dynamically to these realities.

Table of Contents

Introduction

Approaches to Narrating Conflict in Palestine and Lebanon: Practices, Discourses and Memories Dina Matar and Zahera Harb

      Practices

Just a Few Small Changes: The Limits of Televisual Palestinian Representation of Conflicts within the Transnational ‘Censorscape’ Matt Sienkiewicz

Mediating Internal Conflict in Lebanon and its Ethical Boundaries Zahera Harb

Negotiating Representation, Re-making War: Transnationalism, Counter-hegemony and Contemporary Art from Post-Taif Beirut Hanan Toukan

Narratives in Conflict: Emile Habibi’s al-Waqa’i al-Ghariba and Elia Suleiman’s Divine Intervention Refqa Abu-Remaileh

      Discourses

Islam in the Narrative of Fatah and Hamas Atef Alshaer

Al Manar: Cultural Discourse and Representation of Resistance Rounwah Adly Riyadh Bseiso

The Battle over Victimhood: Roles and Implications of Narratives of Suffering in the Israeli-Palestinian Conflict Kirkland Newman Smulders

The ‘I Love…’ Phenomenon in Lebanon: The Transmutations of Discourse, its Impact on Civil Society, the Media and Democratization Carole Helou

      Memories and Narration

Making Sense of War News among Adolescents in Lebanon: The Politics of Solidarity and Partisanship Helena Nassif

Narrating the Nakba: Palestinian Filmmakers Revisit 1948 Nadia Yaqub

Bearing Witness to Al Nakba in a Time of Denial Teodora Todorova

 

USE discount code for special offer on paperback: BOUNDARIES

Cite: Morag, Perpetrator Trauma and Current Israeli Documentary Cinema

Morag, Raya. "Perpetrator Trauma and Current Israeli Documentary Cinema." Camera Obscura 27.2 (2012): 93-133.

URL: http://cameraobscura.dukejournals.org/content/27/2_80/93.abstract

Abstract

This essay proposes a new paradigm for cinema trauma studies: the trauma of the perpetrator. Recognizing a current shift in interest from trauma suffered by victims to that suffered by perpetrators, it seeks to break the repression of the abhorrent figure of the perpetrator in cinema and psychoanalysis literature. This new paradigm is driven by the emergence of a new wave of Israeli documentaries such as Ari Folman’s Waltz with Bashir, Tamar Yarom’s To See If I’m Smiling, and Avi Mograbi’s Z32, one that for the first time includes female IDF (Israeli Defense Forces) veterans. Israeli cinema, attached on one side to the legacy of the Holocaust and on the other to the Israeli occupation, proves a highly relevant case for probing the limits of both types of traumas. Taking as a point of departure the distinction between testimony given by the victim and confession made by the perpetrator, the paper addresses the questions of whether the trauma of the perpetrator indeed exists; how we might understand the somatic and epistemological conditions of guilt; how we should define the perpetrator’s trauma in contrast to the victim’s; and whether this cinematic trend indeed paves the way for Israelis to assume responsibility for their deeds. Analyzing the characteristics of perpetrator trauma defined as crises (of evidence, disclosure, gender, audience, narrativization) finally leads to a preliminary reflection on the possible relevance of this model for analyzing related new-war films in twenty-first-century world cinema.