New Article: Kohn, Refugee Camp Narratives

Kohn, Ayelet. “Refugee Camp Narratives: The Role of ‘Eye-Witness Testimony’ in Journalists’ Travel Accounts.” Current Sociology 64.1 (2016): 83-100.

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URL: http://dx.doi.org/10.1177/0011392115587748

 

Extract

This article examines three narrative formats which Israeli journalists use to describe their tours in Palestinian refugee camps. The article aims to suggest possibilities for reporting patterns, carefully framing a sense of urgency, which attempt to form a right measure of proximity and distance from the sufferers which might motivate audiences into action. The discussion focuses on three narratives, one literary and the other an article which was published in a popular Israeli journal, both unique in their deliberate emphasis on writing style and their reflection of the ongoing tension between the reporters’ professional, creative and national identities. The third format is a testimony, given by the narrator in Ari Folman’s animated film Waltz with Bashir (2008). The film ends with a few minutes of documented events, filmed at Sabra and Shatila refugee camp in Lebanon in 1982. While all three narratives use direct showing, personal testimonies and a variety of written, illustrated and photographed portraits, the written narratives focus on the reporters’ central role and on the Israeli readers, while Waltz with Bashir challenges the possible feeling of guilt on the Israeli side and invokes the viewer’s human empathy through a direct encounter with personal comments and shocking images.

 

 

 

Lecture: Almog, The Absence of Law from Israeli War Films (London, SOAS, Jan 27, 2015)

Please join us for this unique event, a lecture by Prof. Shulamit Almog from the University of Haifa, titled “From Paratroopers to Waltz with Bashir: The Absence of Law from Israeli War Films”.

The event will take place on Tuesday, January 27, at 2pm in 22 Russell Square, room T102.

See the attached invitation for further details.

The event is free and there is no need to book.

 

New Book: Morag, Waltzing with Bashir: Perpetrator Trauma and Cinema

Morag, Raya. Waltzing with Bashir: Perpetrator Trauma and Cinema. London: Tauris, 2013.

 

Waltzing with Bashir proposes a new paradigm for cinema trauma studies – the trauma of the perpetrator. Recognizing a current shift in interest from the trauma suffered by victims to that suffered by perpetrators, the book seeks to theorize this still under-studied field thus breaking the repression of this concept and phenomenon in psychoanalysis and in cinema literature. Taking as a point of departure the distinction between testimony given by the victim and confession made by the perpetrator, this pioneering work ventures to define and analyze perpetrator trauma in scholarly, representational, literary, and societal contexts. In contrast to the twentieth-century definition of the perpetrator based on modern wars and totalitarian regimes,Morag defines the perpetrator in the context of the twenty-first century’s new wars and democratic regimes. The direct result of a drastic transformation in the very nature of war, made manifest by the lethal clash between soldier and civilian in a battlefield newly defined in bodily terms, the new trauma paradigm stages the trauma of the soldier turned perpetrator, thus offering a novel perspective on issues of responsibility and guilt.

Such theoretical insights demonstrate that the epistemology of the post-witness era requires breaking deep-seated psychological and psychiatric, as well as cultural and political, repression. Driven by the emergence of a new wave of Israeli documentary cinema, Waltzing with Bashir analyzes the Israeli film and literature produced in the aftermath of the second Intifada. As Ari Folman’s Waltz with Bashir and other new wave films demonstrate, Israeli cinema, attached on one side to the legacy of the Holocaust and on the other to the Israeli Occupation, is a highly relevant case for probing the limits of both victim and perpetrator traumas, and for revisiting and recontextualizing the crucial moment in which the victim/perpetrator cultural symbiosis is dismantled.

Raya Morag is an Associate Professor of Cinema Studies at the Department of Communication and Journalism, The Hebrew University of Jerusalem, Israel.

Table of Contents

Introduction
From Victim to Perpetrator Trauma

Part I: Victim Trauma
1. The Body as the Battlefield
2. Chronic Victim Trauma and Terror
3. Queerness, Ethnicity, and Terror

Part II: Perpetrator Trauma
4. The New Wave of Documentary Cinema: The Male Perpetrator
5. The New Wave of Documentary Cinema: The Female Perpetrator
6. The New Wave of Documentary Literature

Conclusion
The Perpetrator Complex

Conference program: MESA, Washington, DC (22-25 Nov, 2014)

Israel Studies events at the annual conference of MESA, Washington, DC, November 22-25. For full program click here (PDF).

 

AIS–Association for Israel Studies Reception

Saturday, 11/22

Reception, 8:30-10:30pm, McKinley (M)

 

(3681) Settler-Colonialism and the Study of Zionism: Erasure, Transfer and Assimilation

Sunday, November 23, 11am-1pm

Organized by Arnon Degani

Sponsored by Palestinian American Research Center (PARC)

Chair: Gabriel Piterberg, UCLA

 

Discussant: Lorenzo Veracini, Swinburne Inst for Social Research

Susan Slyomovics, UCLA–“The Object of Memory” and Settler Colonialism Studies 16 Years Later

Honaida Ghanim, Palestinian Forum for Israeli Studies–Judaization and De-Indigenization: Settler-Colonialism in East Jerusalem

Areej Sabbagh-Khoury, Mada Al-Carmel–The Zionist Left and Settler-Colonialism in Marj Ibn ‘Amer: Land, Population and Property

Arnon Degani, UCLA–Non-Statist and Bi-Nationalist Zionism as Settler-Colonial Agendas

 

(3756) Rule of Experts?: Revolutions, Doctrines, and Interventions in the Middle East

Sunday, November 23, 2m-4pm

Organized by Osamah Khalil

 

Seth Anziska, Columbia University–Israel, the United States and the 1982 War in Lebanon

 

(3925) World War One and Its Aftermath

Sunday, November 23, 2m-4pm

Chair: Weston F Cook, Jr, UNC Pembroke

 

Roberto Mazza, Western Illinois U–Cemal Pasha, Zionism and the Alleged Expulsion of the Jews from Jaffa in April 1917

 

(3792) Israel Studies in the Arab World

Sunday, November 23, 4:30m-6:30pm

Organized by Johannes Becke

Discussant: Elie Podeh, Hebrew U of Jersusalem

 

Hassan A. Barari, U Jordan–Israelism: Arab Scholarship on Israel, a Critical Assessment

Mostafa Hussein, Brandeis U–Israel Studies in the Arab World Between Two Dictums: ‘Whosoever Learns People’s Language Avoids Their Plot’ and ‘Know Your Enemy’

Johannes Becke, U Oxford–Hebrew in Beirut: Studying Israel in the Last Arab Frontline State

Hebatalla Taha, U Oxford–The Politics of ‘Normalisation’: The Israeli Academic Centre in Cairo

Amr Yossef, American U Cairo–Egyptian Israelists: The View from Israel

 

(3886) Social Media, the Digital Archive, and Scholarly Futures

Sunday, November 23, 4:30m-6:30pm

Organized by Ted Swedenburg

Chair/Discussant: Elliott Colla, Georgetown U

 

Rebecca L. Stein, Duke U–The Perpetrator’s Archive: Israel’s Occupation on YouTube

 

 

(4006) Special Session

Abandoned Yet Central: Gaza and the Resolution of the Israeli-Palestinian Conflict

Sunday, November 23, 4:30m-6:30pm

Organized by Sara Roy

Chair: Sara Roy, Harvard University

 

Chris Gunness, UNRWA, Office of the Commissioner General, Jerusalem

Paul Aaron, Political Analyst and Consultant, Gaza Community Mental Health Program

Bill Corcoran, American Near East Refugee Aid (ANERA)

Ilana Feldman, George Washington University

Brian Barber, University of Tennessee

Susan Akram, Boston University School of Law

 

This session will present an overview of the past summer’s violent clashes between Israeli and Hamas forces and the ensuing destruction in Gaza. Representatives from the United Nations Relief and Works Agency (UNRWA) and the American Near East Refugee Aid (ANERA) will provide an “on-the-ground” analysis of the destruction and human toll of the 50-day war. Scholars will further place the recent violence in the context of the Israeli-Palestinian conflict and examine the prerequisites for a sustainable resolution of the conflict.

 

 

 

(3737) Religious Inclusivity and Civilizational Identity: Expanding Iranian Identities Along Religious, Ethnic, and Gender Lines

Monday, November 24, 8:30am-10:30am

Organized by Lior Sternfeld

Chair/Discussant: Mohamad Tavakoli-Targhi, U Toronto

 

Lior Sternfeld, U Texas Austin–Iran is My Homeland, Jerusalem is My Qiblah: Iranian Jews Between Zionist and Iranian Identities

 

(3643) Israel, the United States and a Changing Middle East

Monday, November 24, 11am-1pm

Organized by Robert O. Freedman

Sponsored by Association for Israel Studies

Chair/Discussant: Robert O. Freedman, Johns Hopkins U

 

Eyal Zisser, Tel Aviv U–Israel and the Arab World – Who’s First – Syria, Egypt or Lebanon?

Ilan Peleg, Lafayette Col–Israel, Netanyahu & the Palestinians: Is the Third Term the Charm?!

Rami Ginat, Bar Ilan U–The Israeli-Egyptian-American Strategic Triangle: A Reassessment in Light of the Arab Uprising

Joshua Teitelbaum, Bar-Ilan U–Israel and the Gulf Cooperation Council: New Opportunities for Cooperation?

Uzi Rabi, Tel Aviv U–Iran and Israel: Post 2013 Elections

 

 

(3697) Bridging the Rupture of 1948: The “Decolonization” and Erasure of Mandate Palestine

Monday, November 24, 2:30pm-4:30pm

Organized by Jeffrey D. Reger and Leena Dallasheh

Sponsored by Palestinian American Research Center (PARC)

Chair: Zachary Lockman, New York U

Discussant: Shira Robinson, George Washington U

 

Jeffrey D. Reger, Georgetown U–Uprooting Palestine: Olive Groves, Mass Dispossession, and Peasant Resistance, 1945-1955

Hilary Falb Kalisman, UC Berkeley–Learning Exile: Palestinian Students and Educators Abroad, 1940-1958

Leena Dallasheh, Rice U–Defying the Rupture, Affirming Presence: Palestinians in Nazareth Surviving 1948

Rephael Stern, Princeton U–Israel’s Postcolonial Predicament and Its Contradicting Jurisdictional Claims in 1948

 

 

(3917) Perilous Peacemaking: Israeli-Palestinian Relations Since Oslo

Monday, November 24, 5pm-7pm

Chair: Timothy Schorn, U South Dakota

 

Elie Podeh, Hebrew U Jerusalem–Missed Opportunities in the Arab-Israeli Conflict: The Case of the Arab Peace Initiative (2002-2014)

Maia Carter Hallward, Kennesaw State U–Choosing to Negotiate Under Sub-Optimal Conditions: The 2013 Israeli-Palestinian Negotiations

Gabriele Mombelli, U Florence–The Palestinian National Authority Security Sector: An Operational Overview

Karam Dana, U Washington–Twenty Years after Oslo: What Do Palestinians Think?

Andrew Barwig, Department of State–“New Blood” in Israel’s Knesset: Elite Circulation and Parliamentary Resilience

 

 

 

(3867) Urbanism and the Politics of the Mandate Period, Local versus Imperial Interests

Tuesday, November 25, 11am-1pm

Organized by Harrison Guthorn

Chair: Elizabeth F. Thompson, U Virginia

 

Noah Hysler Rubin, Bezalel Academy of Art and Design–Planning Palestine: British and Zionist Plans for Tiberius and Nathanya

 

(3893) Public Opinion in the Middle East

Tuesday, November 25, 11am-1pm

Organized by Yael Zeira

 

Devorah Manekin, Arizona State U–Carrots and Sticks: Policy Instruments and Public Opinion in the Israeli-Palestinian Conflict

 

(3919) Palestinian Resistance: Spaces and Standpoints

Tuesday, November 25, 11am-1pm

Chair: Timothy Schorn, U South Dakota

 

Timothy Seidel, American U–Narrating Nonviolence: Postcolonial Interrogations of Resistance in Palestine

Maya Rosenfeld, Hebrew U Jerusalem–The Movement of Palestinian Political Prisoners and the Struggle Against the Israeli Occupation: A Historical Perspective

Sharri Plonski, SOAS U London–Transcending Bounded Space: The Struggle for Land and Space by the Palestinian Citizens of Israel

Julie Norman, McGill U–Prisoners Dilemma?: Prison-Based Resistance and the Diffusion of Activism in Palestine

Maryam Griffin, UC Santa Barbara–Movement as/and Non-Movement in Palestine

 

(3949) Transnational Cultural Production

Tuesday, November 25, 1:30pm-3:30pm

Chair: Zeynep Seviner, U Washington

 

Isra Ali, Rutgers, State U of New Jersey–Adaptation: Cultural Alliances and Television Production in Israel and the United States

Robert Lang, U Hartford–Ari Folman’s Waltz with Bashir: Whose Trauma?

New Publication: Harris and Omer-Sherman, eds., Narratives of Dissent

Harris, Rachel S. and Ranen Omer-Sherman. Narratives of Dissent. War in Contemporary Israeli Arts and Culture. Detroit : Wayne State University Press, 2012.

 

 

 

URL: http://wsupress.wayne.edu/books/detail/narratives-dissent

The year 1978 marked Israel’s entry into Lebanon, which led to the long-term military occupation of non-sovereign territory and the long, costly war in Lebanon. In the years that followed, many Israelis found themselves alienated from the idea that their country used force only when there was no alternative, and Israeli society eventually underwent a dramatic change in attitude toward militarization and the infallibility of the IDF (Israel Defense Forces). In Narratives of Dissent: War in Contemporary Israeli Arts and Culture editors Rachel S. Harris and Ranen Omer-Sherman collect nineteen essays that examine the impact of this cultural shift on Israeli visual art, music, literature, poetry, film, theatre, public broadcasting, and commemoration practices after 1978.

Divided into three thematic sections-Private and Public Spaces of Commemoration and Mourning, Poetry and Prose, and Cinema and Stage-this collection presents an exciting diversity of experiences, cultural interests, and disciplinary perspectives. From the earliest wartime writings of S. Yizhar to the global phenomenon of films such as Beaufort, Waltz with Bashir, and Lebanon, the Israeli artist’s imaginative and critical engagement with war and occupation has been informed by the catalysts of mourning, pain, and loss, often accompanied by a biting sense of irony. This book highlights many of the aesthetic narratives that have wielded the most profound impact on Israeli culture in the present day.

These works address both incremental and radical changes in individual and collective consciousness that have spread through Israeli culture in response to the persistent affliction of war. No other such volume exists in Hebrew or English. Students and teachers of Israeli studies will appreciate Narratives of Dissent.

 

 

Table of Contents (from Library of Congress)

Introduction: zionism and the culture of dissent / Ranen Omer-Sherman — Private and public spaces of commemoration and mourning — "Music of peace" at a time of war : Middle Eastern music amid the second intifada / Galeet Dardashti — Privatizing commemoration : the helicopter disaster monument and the absent state / Michael Feige — "Cyclic interruptions" : popular music on Israeli radio in times of emergency / Danny Kaplan — Consuming nostalgia : greetings cards and soldier-citizens / Noa Roei — The photographic memory of Asad Azi / Tal Ben Zvi — "We shall remember them all" : the culture of online mourning and commemoration of fallen soldiers in Israel / Liav Sade-Beck — Poetry and prose — Bereavement and breakdown : war and failed motherhood in Raya Harnik’s work / Esther Raizen — From IDF to .pdf : war poetry in the Israeli digital age / Adriana X. Jacobs — "Unveiling injustice" : Dahlia Ravikovitch’s poetry of witness / Ilana Szobel — War at home : literary engagements with the Israeli political crisis in two novels by Gabriela Avigur-Rotem / Shiri Goren — Forcing the end : apocalyptic Israeli fiction, 1971-2009 / Adam Rovner — Oh, my land, my birthplace : Lebanon war and intifada in Israeli fiction and poetry / Glenda Abramson — Vexing resistance, complicating occupation : a contrapuntal reading of Sahar Khalifeh’s wild thorns and David Grossman’s The smile of the lamb / Philip Metres — Gender, war, and zionist mythogynies : feminist trends in Israeli scholarship / Esther Fuchs — Cinema and stage — Representations of war in Israeli drama and theater / Dan Urian — From national heroes to postnational witnesses : a reconstruction of Israeli soldiers’ cinematic narratives as witnesses of history / Yael Munk — A woman’s war : The Gulf War and popular women’s culture in Israel / Rachel S. Harris — Beaufort the book, beaufort the film : Israeli militarism under attack / Yaron Peleg — Shifting manhood: masculinity and the Lebanon war in Beaufort and waltz with Bashir / Philip Hollander — List of contributors — Index.

Cite: Landesman & Bendor, Recollection and Experience in Waltz with Bashir

Landesman, Ohad, and Roy Bendor. “Animated Recollection and Spectatorial Experience in Waltz with Bashir.” Animation 6.3 (2011): 353-70.

 

URL: http://anm.sagepub.com/content/6/3/353.abstract

 

Abstract

This article explores the ways in which Waltz with Bashir (2008), Ari Folman’s animated war memoir, combines a commentary on memory with a moral stance on war. The authors argue that the film exemplifies the capacity of animated documentaries not only to show what is otherwise difficult or impossible to represent in non-animated documentaries, but to serve as a vehicle for fostering new relationships between the viewer and the documentary text. In this vein, the authors argue that Waltz with Bashir synthetically produces a rich, consistent, and thus trustworthy sense of reality for its viewers not despite but because of its unique aesthetic choices – its innovative animation techniques and mixing of reality with fantasy. Accordingly, the authors weave together analyses of the film’s content and form with accounts of their reception, discuss how the film evokes certain somatic responses with individuals, and consider the political significance these responses may engender.

Cite: Yosef, Memory, Trauma and Ethics in Waltz with Bashir

Yosef, Raz. "War Fantasies: Memory, Trauma and Ethics in Ari Folman’s Waltz with Bashir " Journal of Modern Jewish Studies 9.3 (2010): 311-26.

 

URL: http://www.ingentaconnect.com/content/routledg/cmjs/2010/00000009/00000003/art00003

 

Abstract

This paper explores the relationship between memory, trauma and ethics in the Israeli war film Waltz with Bashir (Ari Folman, 2008). I argue that Waltz with Bashir highlights a traumatic rupture between history and memory, and points to the decline of national collective memory in Israel. In the film, the war is represented as the private memory of a distinct social group—soldiers who fought in the First Lebanon War—and is no longer a collective memory, a lived and practised tradition that conditions Israeli society. The film is constructed as a kind of lieu de memoire that houses repressed traumatic events that have been denied entry into the nation’s historical narrative, and which the protagonists feel duty bound to remember. This detachment from the national collective memory draws the film into a timeless world of dreams, hallucinations and fantasies. The film does not aspire to reveal the true details of the war. Rather, it is concerned with memory and the very process of remembering, as well as with the ethical questions that they pose to both the film’s protagonists and its viewers. These questions are reflected both in the film’s narrative and in its unique aesthetics.