New Article: Suwaed, The Image of the Bedouin in Travel Literature of the 19th Century

Suwaed, Muhammad. “The Image of the Bedouin in Travel Literature and Western Researchers Who Visited Palestine in the Nineteenth Century.” Digest of Middle East Studies (early view; online first).
 
URL: http://dx.doi.org/10.1111/dome.12075
 
Abstract

With the weakening of the Ottoman government from the end of the sixteenth century onwards, the Bedouin took over the control of the entire Country of Palestine. As the Bedouin were present across the country, western travelers and researches visiting the Holy Land as tourists, visitors, and investigators often met the Bedouin, especially during the robbery and plunder executed by the Bedouin upon travelers, and when hiring them as tour guides, renting their camels, or employing them as guards. On their return to their countries, these travelers reported on their experiences in the East in the form of books. These western travelers and researchers, in their writings, dealt with the Bedouin. They described them as providers of services to caravans, transporters of luggage, tour guides, and robbers. The writers and researchers explicitly described the traits, characters, food habits, clothing, residences, and occupations of the Bedouin.

 

 

 

New Article: Gavrilă, Understanding Jerusalem in Delisle’s Graphic Novel

Gavrilă, Ana-Maria. “Understanding Jerusalem and its Cross-Cultural Dilemmas in Guy Delisle’s Jerusalem: Chronicles From the Holy City.” Acta Universitatis Sapientiae, Philologica 7.1 (2015): 133-44.

 

URL: http://dx.doi.org/10.1515/ausp-2015-0042

 

Abstract

Guy Delisle’s Jerusalem: Chronicles from the Holy City (2011) is a nonfictional graphic novel which narrates the experiences during a year that the Canadian artist and his family spent living far from home, in the occasionally dangerous and perilous city of the ancient Middle East. Part humorous memoir filled with “the logistics of everyday life,” part an inquisitive and sharp-eyed travelogue, Jerusalem is interspersed with enthralling lessons on the history of the region, together with vignettes of brief strips of Delisle’s encounters with expatriates and locals, with Jewish, Muslim, and Christian communities in and around the city, with Bedouins, Israeli and Palestinians. Since the comic strip is considered amongst the privileged genres able to disseminate stereotypes, Jerusalem tackles cultural as well as physical barriers, delimiting between domestic and foreign space, while revealing the historical context of the Israeli-Palestinian present conflict. Using this idea as a point of departure, I employ an imagological method of interpretation to address cross-cultural confusions in analysing the cartoonist’s travelogue as discourse of representation and ways of understanding cultural transmission, paying attention to the genre’s convention, where Delisle’s drawing style fits nicely the narrative techniques employed. Through an imagological perspective, I will also pay attention to the interaction between cultures and the dynamics between the images which characterise the Other (the nationalities represented or the spected) and those which characterise – not without a sense of irony – his own identity (self-portraits or auto-images). I shall take into account throughout my analysis that the source of this graphic memoir is inevitably a subjective one: even though Delisle professes an unbiased mind-set from the very beginning, the comic is at times coloured by his secular views. Delisle’s book is a dark, yet gentle comedy, and his wife’s job at the Doctors Without Borders paired with his personal experiences are paradoxically a gentle reminder that “There’ll always be borders.” In sum, the comic medium brings a sense of novelty to the imagological and hermeneutic conception of the interpretation of cultural and national stereotypes and/or otherness in artistic and literary works.

 

 

 

New Article: Mendelson-Maoz, Asterai and the Hebrew literature of Beta Israel

Mendelson-Maoz, Adia. “The Road to ‘Yerussalem’ – Asterai and the Hebrew Literature of Beta Israel.” Social Identities (online first).

 

URL: http://www.tandfonline.com/doi/abs/10.1080/13504630.2013.864465

 

Abstract

The immigration of the Beta Israel community from Ethiopia to Israel during the 1980s and the 1990s posed a challenge to Israeli society in relation to its ability to know, understand, and absorb a Jewish community with differing religious, ethnic and cultural backgrounds. For the Beta Israel, immigrating to Israel created a rift between their dream of returning to Jerusalem, a dream that would only be fulfilled after a journey of suffering, and its realization – in which they became an inferior and excluded minority within Israel. This article discusses Hebrew Ethiopian-Israeli literature, focusing on the major narrative of homecoming – the Journey to Yerussalem. This literature, which is relatively new and small, brings the voice of two generations – those who immigrated to Israel as adults, and the younger generation who were small children during the journey. Presenting various texts, and focusing on Asterai by Omri Tegamlak Avera I shall show how Ethiopian-Israeli literature constituted itself as a journey literature, contrasting the old generation with the younger generation’s identity formation as it appears in the representation of this journey narrative, constructing a more complex, ambivalent approach to the concepts of immigration and absorption, homeland and diaspora.