New Article: Bar-Itzhak, Literary Representations of Haifa

Bar-Itzhak, Chen. “The Dissolution of Utopia: Literary Representations of the City of Haifa, between Herzl’s Altneuland and Later Israeli Works.” Partial Answers 14.2 (2016): 323-41.

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URL: https://muse.jhu.edu/article/621157

 

Abstract

This article traces literary depictions of the city of Haifa, starting from its utopian literary prototype in Theodor Herzl’s influential Altneuland (1902), and continuing with later Israeli writing, by Yehudit Hendel, Sami Michael, and Hillel Mittelpunkt. The article shows how the Israeli works discussed set literary Haifa as a stage for examining questions of identity, belonging, and the relations between individual and society, through an emphasis on the complex ties between language, ethnicity, and space. The literary city of these works is compared to the city of Herzl’s utopian vision. I argue that the evolution of literary Haifa is associated with shifts in Israeli collective self-perception: from the utopian mode of thought, in which difficulties and complexities remain invisible, through the gradual turning of the gaze towards the difficulties and fractures in the emergent new society (first within the Jewish society, but then also outside it — among the Arab minority); and finally, to an inability to accept the absence of utopia from the present, leading to escapism and a quest for the longed-for ideal in the pre-national past.

 

 

 

New Book: Shamir, The Native Foreigner; Representations of Hybridity in Modern Israeli Fiction

Shamir, Ayelet. The Native Foreigner. Representations of Hybridity in Modern Israeli Fiction. Tel Aviv: Resling, 2016 (in Hebrew).

 

 

The notion of hybridity is suppressed in the discussion over Israeli society, culture, and literature. This book deals with the concept of hybridity, its cultural genealogy, its essence and characteristics. It offers to use it as a prism for reading three works of modern Israeli prose, “Refuge” (1977) by Sami Michael; “Arabesques” (1986) by Anton Shammas and “The Liberated Bride “(2001) by A.B. Yehoshua.

These works represent the very essence of the cultural hybrid experience that exist between Jewish and Arabic, and express the social and linguistic dualism characteristic of this experience. Forces of attraction and repulsion interact between these two societies, and this dualism causes internal conflicts while allowing for mutual input. Alongside manifestations of anxiety, separatism, and rejection by the other minority, which is often perceived as a “native foreigner” within us, there is also an equally strong presence of wishes of mixture, attraction, and erotic intimacy, disruptive wishes which signify blurring and crossing of boundaries.

This book deals with various questions: who is the native foreigner? What is its voice? What is actually the hybrid “Third Israeli”? What might be the best literary expression of it?

 

AYELET SHAMIR is an author, and the chair of the Department of drama literature creative-expressive arts, at the Oranim Academic College.

 

 

 

New Book: Snir, Who Needs Arab-Jewish Identity?

Snir, Reuven. Who Needs Arab-Jewish Identity? Interpellation, Exclusion, and Inessential Solidarities. Leiden: Brill, 2015.

 

In Who Needs Arab-Jewish Identity?: Interpellation, Exclusion, and Inessential Solidarities, Professor Reuven Snir, Dean of Humanities at Haifa University, presents a new approach to the study of Arab-Jewish identity and the subjectivities of Arabized Jews. Against the historical background of Arab-Jewish culture and in light of identity theory, Snir shows how the exclusion that the Arabized Jews had experienced, both in their mother countries and then in Israel, led to the fragmentation of their original identities and encouraged them to find refuge in inessential solidarities. Following double exclusion, intense globalization, and contemporary fluidity of identities, singularity, not identity, has become the major war cry among Arabized Jews during the last decade in our present liquid society.

Table of contents

Preface
Introduction
Chapter One: Identity: Between Creation and Recycling
Chapter Two: Arabized Jews: Historical Background
Chapter Three: Arabized Jews in Modern Times between Interpellation and Exclusion
Chapter Four: Globalization and the Search for Inessential Solidarities
Chapter Five: White Jews, Black Jews
Conclusion
Appendices
I. Iraqi-Jewish Intellectuals, Writers, and Artists
II. Sami Michael, “The Artist and the Falafel” (short story)
References
Index

Reuven Snir is a Professor of Arabic Literature and Dean of Humanities at Haifa University. He has published many books, articles, translations, and encyclopedia entries. His latest book is Baghdad – The City in Verse (Harvard University Press, 2013).

Conference: A Tribute to Sami Michael (Northwestern, October 7-9, 2015)

Northwestern University and Ben-Gurion University of the
Negev present:

New Article: Peled, Female Sexual Subjectivity in Victoria by Sami Michael

Peled, Shimrit. “Construction of Female Sexual Subjectivity in Victoria by Sami Michael in Comparison to other Hebrew and Israeli Writers.” Jerusalem Studies in Hebrew Literature 27 (2014): 233ff (in Hebrew).

 

Abstract

Sexual violence towards women in the Jewish community in Baghdad is central in Sami Michael’s novel, Victoria. Can these violent erotic scenes be interpreted as destabilizing patriarchal mechanisms in Israeli culture? The article discusses this question taking into consideration the debates about pornography in feminist theory and exploring other representations of violence against women in Hebrew and Israeli Literature. Feminists’ views of pornography are divided. From a radical feminist point of view, the production of the subordinate feminine subject in pornography is effective and ultimate. Other feminists claim that pornography can theoretically subvert the mechanism of oppression and its efficacy in exploitation of the female subject because it is by nature repetitious.

Trying to evaluate the impact of the violent erotic scenes in Victoria, this article examines preceding representations of violence against women in Hebrew and Israeli Literature. Portrayal of physical and emotional pain after rape or female desire that does not end in disaster seldom appeared in Hebrew and Israeli literature before Victoria. Although the novel is compliant with the Zionist narrative, Michael fashions a rich and particular female existence in Victoria, centered on feminine sexual subjectivity. I suggest that Michael’s representations of violence against women, and female desire that is nevertheless left intact were accepted by Israeli readers because of the displacement identity in time, space and ethnicity to Jewish Baghdad.

This displacement, which leaves current Israeli culture untouched and therefore does not threaten the reader, allows sexual female consciousness, and sane female sexual subjectivity to enter. However, it is also possible that the feminine confession is forced, that it constructs a femininity, which, though experiencing pain, humiliation, suppuration and abuse, collaborates with the patriarchal mechanism in confessing pleasures that repeat and extend pornographic discourse, making possible the continuation of mechanisms of suppression.

 

 

פלד, שמרית. “הבניית סובייקטיביות מינית נשים ב’ויקטוריה’ לסמי מיכאל בראי פרוזה עברית וישראלית”. מחקרי ירושלים בספרות עברית כז (2014): 233 ואילך.