New Article: Wiseman, Dahlia Ravikovitch’s ‘Egla ‘Arufa

Wiseman, Laura. “Voice of Responsibility: Dahlia Ravikovitch’s ‘Egla ‘Arufa (Felled Heifer).” Journal of Modern Jewish Studies 15.2 (2016): 301-17.

 

URL: http://dx.doi.org/10.1080/14725886.2015.1133178

 

Abstract

In a cycle of poems, Sugeyot beyahadut bat zemanenu, “Issues in Contemporary Judaism,” Dahlia Ravikovitch protests against human suffering and fatalities that occur during war and conflicts of attrition involving Israel’s indigenous peoples and contiguous populations. Among the poetry, ‘Egla ‘arufa, with its cryptic title and densely encoded contents, requires textual “demystification” for its central message to be heard. First, this article identifies the most crucial pair of Hebrew sources underlying this poem and discusses their intertextual influence and the transition between them for an enriched reading. Second, through textual analysis this study applies a postmodern literary poetic – a “hermeneutic lag” – to a unique dynamic in the dimensions of the writing. In general, I relate to selected poems by Dahlia Ravikovitch as self-portraits, and regard “Felled Heifer” as an abstract figuration of the voice of the speaker: the voice of responsibility.

 

 

 

ToC: Israel Affairs 20,2 (2014): Special Issue, Politics and Poetry

Israel Affairs 20,2 (2014)

Special Issue: Politics and Poetry in Israel

http://www.tandfonline.com/toc/fisa20/20/2

 

Articles

Poetry and poets in the public sphere

Assaf Meydani & Nadir Tsur; pages 141-160

  • DOI:10.1080/13537121.2014.889889
  • Published online: 01 Apr 2014

The leader as a poet: the political and ideological poetry of Ze’ev Jabotinsky

Arye Naor; pages 161-181

  • DOI:10.1080/13537121.2014.889890
  • Published online: 22 May 2014

The image of the ‘living-dead’ in Nathan Alterman’s poetry: from archetype to national symbol

Ortsion Bartana; pages 182-194

  • DOI:10.1080/13537121.2014.889886
  • Published online: 29 May 2014

The art of politics and poetry: the political poetry of Jacques Prevert and Aryeh Sivan

Samuel (Muli) Peleg; pages 195-213

  • DOI:10.1080/13537121.2014.889892
  • Published online: 07 May 2014

Hegemony inside and out: Nathan Alterman and the Israeli Arabs

Yochai Oppenheimer; pages 214-225

  • DOI:10.1080/13537121.2014.889891
  • Published online: 04 Apr 2014

‘Silent in white ink’: the motif of silence in Israeli-Palestinian women’s poetry translated from Arabic to Hebrew

Leah Baratz & Roni Reingold; pages 226-239

  • DOI:10.1080/13537121.2014.889885
  • Published online: 16 Apr 2014

Politics and poetry in the works of Shalom Shabazī

Yosef Tobi; pages 240-255

  • DOI:10.1080/13537121.2014.889893
  • Published online: 14 Apr 2014

Why did poetry and piyut disappear from the religious-Zionist High Holy Day prayer book, and what prompted their return?

Shimon Fogel; pages 256-270

  • DOI:10.1080/13537121.2014.889887
  • Published online: 04 Apr 2014

An Israeli Bob Dylan is yet to be born: the politics of Israeli protest music

Yitzhak Katz; pages 271-279

  • DOI:10.1080/13537121.2014.889888
  • Published online: 26 Mar 2014

CfP: Graduate conference at Cambridge, Patterns of Protest in Hebrew Culture

Call for Papers

Patterns of Protest in Hebrew Culture: Memory, Agents and Representation

2014 Cambridge Graduate Conference in Modern Hebrew

We would like to invite graduate students from within or without Hebrew Studies, as well as academics, artists and other interested parties to submit proposals for the Cambridge Hebrew Graduate Conference 2014, “Patterns of Protest in Hebrew Culture: Memory, Agents and Representation,” to be held on Tuesday 6 May 2014 at Cambridge. The conference aims to facilitate and promote discussion in the field of Modern Hebrew Studies, stimulating scholarship in the UK academy and bringing it into conversation with academics from around the world.

Recent waves of political protest in the Middle East have drawn critical focus to tensions regarding the future of societies and communities in the region and to the clash of worldviews and visions. Protest and the changes it brings are difficult phenomena to measure, and we tend to understand them mainly through examining political systems and the actions of leaders. In this conference we wish to promote a different debate by taking focus away from speeches in Parliament and statements to the media and aiming it toward the dynamics of culture.

2011’s wave of social protest in Israel caught many by surprise, as hundreds of thousands of Israelis took to the streets to demand social justice, a lower cost of living and a government response to the concerns of the middle class. Although the social justice movement challenged 21st century Israeli neo-liberalism, it often did so by employing the rhetoric of a diverse tradition of Hebrew texts, from Amir Gilboa’s poetry to the words of the Hebrew Bible.

The link between Hebrew texts and political and social protest is as ancient as the books of the prophets. Throughout history, Hebrew writers have articulated the prohibited and the revolutionary, in advance – and in advancement – of wider public acceptance. What part, then, has protest played in shaping Hebrew culture, throughout its history and in the present?

The purpose of this conference is to bring together young scholars from different disciplines to investigate the historical and cultural significance of Hebrew as a language of protest, and the forms of expression of protest and protest movements – topics surprisingly unexplored by academia. We welcome contributions that consider this theme from diverse theoretical perspectives and academic disciplines. We particularly welcome papers that examine the complimentarity and tensions between political dissent and Hebrew literary production – how is protest rendered intelligible in ways that serve to contain or depoliticize struggles? How has Hebrew, the language of tradition, served these modes of dissent as a means of reclaiming agency in the face of existing power structures? And how, in contemporary Israel, is Hebrew protested against as the language of power?

Participants will be invited to present their work as part of themed panels, followed by questions and discussion with Cambridge students, academics and fellow conference attendees.

Abstracts of 300-500 words are requested by 1 February 2014, with accepted papers to follow in full by March. Please submit abstracts, along with a brief academic C.V, to chgc2014@gmail.com. Any further queries may be sent to the same address.