New Book: Mechter and Maya-Mechter, Between the Intimate and the Anonymous in Urban Space

Mechter, Eytan, and Avital Maya. Between the Intimate and the Anonymous in Urban Space. A Socio-Cultural Perspective on Tel Aviv. Tel Aviv: Resling, 2016 (in Hebrew).

 

 

This book seeks to contribute to the socio-cultural discourse on the first Hebrew-cosmopolitan city, a discourse that may serve as an alternative to the conventional economic content in relation to urban processes. The attempt to decipher the secret of the transformation of the first Hebrew city into a “world city” will be made by examining the uniqueness of the culture and ethos of Tel Aviv in connection with universal norms. The socio-cultural discussion presents the tension between rationality and desire that late capitalism is based on, while highlighting the manifestations of this tension in the urban, local, and general arenas–both by the conquest of space through capital and in the design of and objectified consciousness and consumerist styles.

Multiculturalism and density are distinct urban characteristics contributing to urban activity based on openness, creativity, innovation and sophistication, but also reflect expressions of convergence and alienation. The individuation process serves as a central axis f or the translation of the rational subject into an object of consumerist desire as a result of the capitalist system. Individuation and the process of self-branding encourage the growth of various forms of unique and dynamic identities and styles, but hinder the constructions of relationships based on emotions and commitment. “The neighborhood community” is offered in this book as a possible solution to anonymity and the instrumentalism of interpersonal relationships, a solution which enables interpersonal relationships in the metropolin without disrupting the dynamic nature of variability and diversity, while creating a stable core, whether territorial or virtual.

The concluding chapter discusses the spiritual challenge of the big city to cultivate expressions of “Hard Liberty” following Levinas, as a substitute for the splitting of the subject and the self-alienation which endanger the urban soul.

 

Eytan Mechter is a scholar and lecturer of sociology of culture at the NB Haifa School of Design, Holon Institute of Technology, and the Arts Faculty of the Kibbutzim College.Avital Maya Mechter was a lecture of creative education at Hemdat Hadarom college.

 

 

 

New Book: Raviv, Falafel Nation

Raviv, Yael. Falafel Nation. Cuisine and the Making of National Identity in Israel, Studies of Jews in Society. Lincoln: University of Nebraska Press, 2015.

 

When people discuss food in Israel, their debates ask politically charged questions: Who has the right to falafel? Whose hummus is better? But Yael Raviv’s Falafel Nation moves beyond the simply territorial to divulge the role food plays in the Jewish nation. She ponders the power struggles, moral dilemmas, and religious and ideological affiliations of the different ethnic groups that make up the “Jewish State” and how they relate to the gastronomy of the region. How do we interpret the recent upsurge in the Israeli culinary scene—the transition from ideological asceticism to the current deluge of fine restaurants, gourmet stores, and related publications and media?

Focusing on the period between the 1905 immigration wave and the Six-Day War in 1967, Raviv explores foodways from the field, factory, market, and kitchen to the table. She incorporates the role of women, ethnic groups, and different generations into the story of Zionism and offers new assertions from a secular-foodie perspective on the relationship between Jewish religion and Jewish nationalism. A study of the changes in food practices and in attitudes toward food and cooking, Falafel Nation explains how the change in the relationship between Israelis and their food mirrors the search for a definition of modern Jewish nationalism.

Yael Raviv is the director of the Umami food and art festival in New York City. She has a PhD in performance studies from New York University and is an adjunct professor in the Department of Nutrition, Food Studies, and Public Health at NYU. Her work has appeared in Women and Performance, Gastronomica, and elsewhere.

New Article: Amihay, Color Photography and Self-Outing in Jewish Women’s Comics

Amihay, Ofra. “Red Diapers, Pink Stories. Color Photography and Self-Outing in Jewish Women’s Comics.” Image & Narrative 16.2 (2015): 42-64.

URL: http://www.imageandnarrative.be/index.php/imagenarrative/article/view/811

 

Abstract

In this essay, I analyze the function of color photography in autobiographical comics through a comparative analysis of confessional works of comics by two Jewish women artists, Jewish-American cartoonist Dianne Noomin’s 2003 comics spread “I Was a Red Diaper Baby” and Israeli cartoonist Ilana Zeffren’s Pink Story (written in Hebrew). While exploring the tensions evoked in these works between comics and photography and between black-and-white and color representations, I highlight an important difference in the nature of the images used in each work, evoking yet another tension: that between private and public. I demonstrate that these works by Noomin and Zeffren represent the array of private and public photographs available to any autobiographer, ranging from public images taken from posters, magazines, and video screenshots to intimate family snapshots. I argue that the choice between personal and public photographs in these works poetically determines the path of self-outing in each work, thus representing the two key options for such an act of self-outing, namely, using the personal sphere as a path to the public one or vice-versa. Finally, I address the role of Jewish identity in these two self-outing comics. I posit that while Jewish heritage is not a major factor in either work, the fact that in both cases the community of reference is a minority group within a Jewish community plays a significant role, introducing specific dilemmas into the already complicated identity struggle. By shedding light on the unique function of color photography in autobiographical comics about ethnographically charged self- outing experiences, the analysis of these specific works introduces to a wider audience two important yet insufficiently explored voices of women cartoonists.

 

New Book: Tzur, Space and Place in the Novels of S. Yizhar (in Hebrew)

צור, דביר. בין הבית לשדה, בין אדם למקום. המרחב והמקום בספריו של ס. יזהר ‘מקדמות’ ו’צלהבים’. ירושלים: מאגנס, 2015.

URL: http://www.magnespress.co.il/

 

Abstract

S. Yizhar (Yizhar Smilansky), one of Israel’s most prominent authors, is considered by many to be the greatest literary conqueror of the local Israeli space, of which he wrote his epic novels and short stories. With his pen Yizhar transformed space into a place which is an integral part of the world for many, a place that is theirs and to which they belong.

In 1992, after 28 years of literary silence, Yizhar published his novel Preliminaries. The following year he published Zalhavim. These two books were the opening notes for his later wave of writing which included, in addition to these novels the short stories collections Asides, and By the Sea, and the novels Lovely Malcolmia and Discovering Elijah.

In this book, Tzur follows the footsteps of Preliminaries and Zalhavim. He examines their poetics of space, focused on the home and the field, two places that Yizhar alludes to time and again. In these novels Yizhar is not the literary conqueror of Israeli space, but rather one who observes his home and environment in a complex way. The Yizharian space is revealed as a world where the private and the public are intermingled with each other side by side. This is a space where the concrete and the envisioned, the universal and the local, are combined and intertwined with one another; a very Israeli space, very local and yet at the same time a space that raises existential and political questions, the answers to which is always nuanced, always multi-dimensional.