New Article: Even-Tzur, Israeli Social Unconscious and the Palestinian Nakba

Even-Tzur, Efrat. “‘The Road to the Village’: Israeli Social Unconscious and the Palestinian Nakba.” International Journal of Applied Psychoanalytic Studies (early view; online first).

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URL: http://dx.doi.org/10.1002/aps.1478

 

Abstract

This paper tackles the paradox inherent in Israeli attempts to silence the Palestinian Nakba: despite massive effacement efforts, the traces of the Nakba remain all-pervasive in Israeli culture and collective memory. Several silencing practices are described and discussed from a Freudian perspective, as instances of collective repression of anxiety provoking material. Furthermore, it is suggested that as far as the Nakba is concerned, this repression might be the result of collective perpetrator trauma. Finally, the paper offers several intriguing examples of “social traumatic symptoms”, which are understood as signs of the return of the repressed. According to LaCapra, collective post-traumatic symptoms serve as obstacles to the formation of just and responsible societies. Thus, the paper concludes with a discussion of the socially therapeutic value of the current analysis and its potential contribution to long term processes of collective working through and decolonization.

 

 

 

New Book: Morag, Waltzing with Bashir: Perpetrator Trauma and Cinema

Morag, Raya. Waltzing with Bashir: Perpetrator Trauma and Cinema. London: Tauris, 2013.

 

Waltzing with Bashir proposes a new paradigm for cinema trauma studies – the trauma of the perpetrator. Recognizing a current shift in interest from the trauma suffered by victims to that suffered by perpetrators, the book seeks to theorize this still under-studied field thus breaking the repression of this concept and phenomenon in psychoanalysis and in cinema literature. Taking as a point of departure the distinction between testimony given by the victim and confession made by the perpetrator, this pioneering work ventures to define and analyze perpetrator trauma in scholarly, representational, literary, and societal contexts. In contrast to the twentieth-century definition of the perpetrator based on modern wars and totalitarian regimes,Morag defines the perpetrator in the context of the twenty-first century’s new wars and democratic regimes. The direct result of a drastic transformation in the very nature of war, made manifest by the lethal clash between soldier and civilian in a battlefield newly defined in bodily terms, the new trauma paradigm stages the trauma of the soldier turned perpetrator, thus offering a novel perspective on issues of responsibility and guilt.

Such theoretical insights demonstrate that the epistemology of the post-witness era requires breaking deep-seated psychological and psychiatric, as well as cultural and political, repression. Driven by the emergence of a new wave of Israeli documentary cinema, Waltzing with Bashir analyzes the Israeli film and literature produced in the aftermath of the second Intifada. As Ari Folman’s Waltz with Bashir and other new wave films demonstrate, Israeli cinema, attached on one side to the legacy of the Holocaust and on the other to the Israeli Occupation, is a highly relevant case for probing the limits of both victim and perpetrator traumas, and for revisiting and recontextualizing the crucial moment in which the victim/perpetrator cultural symbiosis is dismantled.

Raya Morag is an Associate Professor of Cinema Studies at the Department of Communication and Journalism, The Hebrew University of Jerusalem, Israel.

Table of Contents

Introduction
From Victim to Perpetrator Trauma

Part I: Victim Trauma
1. The Body as the Battlefield
2. Chronic Victim Trauma and Terror
3. Queerness, Ethnicity, and Terror

Part II: Perpetrator Trauma
4. The New Wave of Documentary Cinema: The Male Perpetrator
5. The New Wave of Documentary Cinema: The Female Perpetrator
6. The New Wave of Documentary Literature

Conclusion
The Perpetrator Complex