New Article: Steir-Livny, Holocaust Humor, Satire, and Parody on Israeli Television

Steir-Livny, Liat. “Holocaust Humor, Satire, and Parody on Israeli Television.” Jewish Film & New Media 3.2 (2015): 193-219.

 

URL: https://muse.jhu.edu/journals/jewish_film_new_media_an_international_journal/v003/3.2.steir-livny.html

 

Abstract
The politicization of the Holocaust has been reflected in Israeli culture from the late 1940s in cinema, literature, theater, and poetry; in the last several decades, it has also been depicted on Israeli television. Most of the representations of the Holocaust in the first decades of Israel’s existence were dramatic. But from the 1990s onward, Israelis also began to address the subject through satire. The case studies in this article focus on the satirical skits performed on episodes of The Chamber Quintet (Hahamishia Hakamerit; Matar Productions, Channel 2-Tela’ad, Channel 1, 1993–1997) and Wonderful Country (Eretz Nehederet; Keshet Productions, Channel 2-Keshet, 2003–2014). Diverging from arguments that these humorous skits addressing the Holocaust disrespect the Holocaust and its survivors, this article maintains that they instead articulate the powerful position the Holocaust holds as a constituting event in the consciousness and identity of younger generations in Israel.

 

 

ToC: Israel Studies Review 30.1 (2015)

 

 

Israel Studies Review, Volume 30, Issue 1, Table of Contents:

Editors’ Note

Editors’ Note
pp. v-vii(3)

Articles

Mapai’s Bolshevist Image: A Critical Analysis
pp. 1-19(19)
Bareli, Avi

Political Indoctrination of Soldiers in the IDF, 1948–1949
pp. 20-41(22)
Hazkani, Shay

 

Outsmarting the Nation, Together: Subversive Virtual Fraternity in the Israeli Men’s Magazine Blazer
pp. 42-65(24)
Fraiberg, Steven; Kaplan, Danny

 

Men and Boys: Representations of Israeli Combat Soldiers in the Media
pp. 66-85(20)
Israeli, Zipi; Rosman-Stollman, Elisheva

 

The Kibbutz between the Past and the Present
pp. 86-100(15)
Gertz, Nurith

 

Kibbutz Landscape and Architecture as Represented in Film and Television: Kibbutz Yakum as a Case Study
pp. 101-129(29)
Har-Gil, Amir; Gitler, Inbal Ben-Asher

Review Essay

Right of Center: Rearranging the Israeli Political Map
pp. 130-143(14)
Peleg, Samuel

Book Reviews

Book Reviews
pp. 144-163(20)

 

New Book: Steir-Livny, Let the Memorial Hill Remember: Holocaust Representation in Israeli Popular Culture (Hebrew)

שטייר-לבני, ליאת. הר הזכרון יזכור במקומי. הזיכרון החדש של השואה בתרבות הפופולרית בישראל. תל אביב: רסלינג, 2014.

 

URL: http://www.resling.co.il/book.asp?book_id=793

 

Table of Contents

פתח דבר

מבוא: זיכרון ותודעת השואה בישראל – מושגים, היסטוריוגרפיה וכיווני חשיבה

1. עכשיו כבר מותר לצחוק? ייצוגים של הומור, סטירה ופרודיה בנושא השואה

2. הפוליטיזציה של השואה בתרבות הישראלית

3. אתניזציה של השואה

אחרית דבר

 

Abstract

Liat Steir-Livny’s book analyzes the representations of the Holocaust in Israeli popular culture from the 1980s onwards. Through a survey of film, television, journalism, literature, poetry, Facebook, blogs, and fringe theater it covers new and controversial representations that are nevertheless an integral part of contemporary Holocaust remembrance and commemoration. Steir-Livni argues that the second and third generation who carry the burden of national memory seek to keep away the trauma not because they disregard it, or because they are distant from it, but rather, because they are deeply immersed in and seek to find some peace. They do this, consciously and unconsciously, by using tools rhetorical and visual tools that leave behind the horrors of historical events, and convert them to create a series of foreign representations of horror of the traumatic events and exchange them for a series of representations that alienate and obscure the traumatic events in order to distance them. At the same time, however, these new representations indicate the extent to which the Holocaust is an integral part of their culture and of the identity of their creators.