New Article: Evans, YouTube and the Israeli–Palestinian Conflict

Evans, Matt. “Information Dissemination in New Media: YouTube and the Israeli–Palestinian Conflict.” Media, War & Conflict (early view; online first).

 

URL: http://dx.doi.org/10.1177/1750635216643113

 
Abstract

This work examines the ways in which YouTube videos inform audiences about international news, issues, and events. As new media increasingly becomes the public’s primary news source, research has produced conflicting contentions of how, and to whom, information is conveyed. Some studies have found Twitter and Facebook to be important tools for social organization and facilitating political involvement. Others, however, assert that these media act as echo chambers, reinforcing preexisting views rather than providing new information or perceptions. This research analyzes videos pertaining to the Israeli–Palestinian conflict to reveal how they provide information. The findings show that the methods – empirical and visceral – used to frame information in YouTube videos correspond to the narratives supported by the uploaders. Additionally, the results indicate YouTube videos are watched by a heterogeneous public and have the potential to transcend selective exposure and present viewers with new information and perspectives.

 

 

New Article: Golan & Stadler, The Dual Use of the Internet by Chabad

Golan, Oren, and Nurit Stadler. “Building the Sacred Community Online: The Dual Use of the Internet by Chabad.” Media, Culture & Society (early view; online first).

 
URL: http://dx.doi.org/10.1177/0163443715615415
 
Abstract

Religious communities have ongoing concerns about Internet use, as it intensifies the clash between tradition and modernity, a clash often found in traditionally inclined societies. Nevertheless, as websites become more useful and widely accessible, religious and communal stakeholders have continuously worked at building and promoting them. This study focuses on Chabad, a Jewish ultra-Orthodox movement, and follows webmasters of three key websites to uncover how they distribute religious knowledge over the Internet. Through an ethnographic approach that included interviews with over 30 webmasters, discussions with key informants, and observations of the websites themselves, the study uncovered webmaster’s strategies to foster solidarity within their community, on one hand, while also proselytizing their outlook on Judaism, on the other. Hence, the study sheds light on how a fundamentalist society has strengthened its association with new media, thus facilitating negotiation between modernity and religious piety.

 

 

 

New Article: Amishai-Maisels, Ayana Friedman. Layers of Feminist Struggle

Amishai-Maisels, Ziva. “Ayana Friedman. Layers of Feminist Struggle.” Journal of Modern Jewish Studies 15.1 (2016): 131-57.

 

URL: http://dx.doi.org/10.1080/14725886.2015.1114822

 

Abstract

Ayana Friedman is an Israeli multi-media artist who deals with politics, the Holocaust and society’s treatment of the Other. This article concentrates on her feminist works and how Judaism and being the child of a Holocaust survivor affected her approach to this subject. Three main feminist interests are highlighted. First, the turn to “feminine” materials. Second, the struggle against the restrictions and abuse imposed on women and their specific Jewish examples. Friedman demands equality for women in Judaism, opposing customs that demean them and creating new ritual objects for them. Third, the conflicts women have between a career and motherhood, and the inter-generational problems they involve.

 

 

 

New Article: Dekel, Immigrant Women Artists from the FSU in Contemporary Israel

Dekel, Tal. “In Search of Transnational Jewish Art: Immigrant Women Artists from The Former Soviet Union in Contemporary Israel.” Journal of Modern Jewish Studies 15.1 (2016): 109-30.

 

URL: http://dx.doi.org/10.1080/14725886.2015.1120432

 

Abstract

The article explores the subject of contemporary Jewish identity through the case of young immigrant women artists from the former Soviet Union in Israel, with particular emphasis on an analysis of the gendered aspects of their religious identity. Drawing on an interdisciplinary method, the research is based on in-depth interviews with artists, artwork analysis, and various theories from the social sciences and humanities. The article’s main argument is that an analysis of the artistic practices of this and similar understudied social groups, particularly those practices undertaken in moments of conflict or times of deep social change, produces a more subtle understanding of the shifting modes of Jewish identity in the age of globalization and transnationalism, whose phenomenon of mass migration has led to the construction of new multi-hyphenated, hybrid identities.

 

 

 

New Book: Campbell, Digital Judaism

Campbell, Heidi A., ed. Digital Judaism: Jewish Negotiations with Digital Media and Culture. New York: Routledge, 2015.

 

In this volume, contributors consider the ways that Jewish communities and users of new media negotiate their uses of digital technologies in light of issues related to religious identity, community and authority. Digital Judaism presents a broad analysis of how and why various Jewish groups negotiate with digital culture in particular ways, situating such observations within a wider discourse of how Jewish groups throughout history have utilized communication technologies to maintain their Jewish identities across time and space. Chapters address issues related to the negotiation of authority between online users and offline religious leaders and institutions not only within ultra-Orthodox communities, but also within the broader Jewish religious culture, taking into account how Jewish engagement with media in Israel and the diaspora raises a number of important issues related to Jewish community and identity. Featuring recent scholarship by leading and emerging scholars of Judaism and media, Digital Judaism is an invaluable resource for researchers in new media, religion and digital culture.

 

Table of Contents

Acknowledgements

• 1. Introduction: Studying Jewish Engagement with Digital Media and Culture Heidi A. Campbell
• 1. Ethnography and social movement studies
• 2. The Jewish Communication Tradition and its Encounters with (the) New Media Menahem Blondheim
• 3. Appropriation & Innovation: Pop-up Communities: Facebook, Grassroots Jews and Offline Post-Denominational Judaism Nathan Abrams
• 4. Yoatzot Halacha: Ruling the Internet, One Question at a Time Michal Raucher
• 5. Sanctifying the Internet: Aish HaTorah’s use of the Internet for Digital Outreach Heidi A. Campbell and Wendi Bellar
• 6. Jewish Games for Learning: Renewing Heritage Traditions in the Digital Age Owen Gottlieb
• 7. Communicating Identity through Religious Internet Memes on “Tweeting Orthodoxies” Facebook Page Aya Yadlin-Segal
• 8. Resistance & Reconstruction: Legitimation of New Media and Community Building amongst Jewish Denominations in the USA Oren Golan
• 9. On Pomegranates and Etrogs: Internet Filters as Practices of Media Ambivalence among National Religious Jews in Israel Michele Rosenthal and Rivki Ribak
• 10. Pashkevilim in Campaigns Against New Media: What Can Pashkevillim Accomplish that Newspapers Cannot? Hananel Rosenburg and Tsuriel Rashi
• 11. The Israeli Rabbi and the Internet Yoel Cohen

Contributors
Index

 

HEIDI A. CAMPBELL is Associate Professor of Communication at Texas A&M University and Director of the Network for New Media, Religion and Digital Culture Studies. She is author of Exploring Religious Community Online (2005) and When Religion Meets New Media (2010) and editor of Digital Religion: Understanding Religious Practice in New Media World (2013).

 

New Book: Kuntsman and Stein, Digital Militarism

Kuntsman, Adi, and Rebecca L. Stein. Digital Militarism. Israel’s Occupation in the Social Media Age, Stanford Studies in Middle Eastern and Islamic Societies and Cultures. Stanford: Stanford University Press, 2015.

 

 

Israel’s occupation has been transformed in the social media age. Over the last decade, military rule in the Palestinian territories grew more bloody and entrenched. In the same period, Israelis became some of the world’s most active social media users. In Israel today, violent politics are interwoven with global networking practices, protocols, and aesthetics. Israeli soldiers carry smartphones into the field of military operations, sharing mobile uploads in real-time. Official Israeli military spokesmen announce wars on Twitter. And civilians encounter state violence first on their newsfeeds and mobile screens.

Across the globe, the ordinary tools of social networking have become indispensable instruments of warfare and violent conflict. This book traces the rise of Israeli digital militarism in this global context—both the reach of social media into Israeli military theaters and the occupation’s impact on everyday Israeli social media culture. Today, social media functions as a crucial theater in which the Israeli military occupation is supported and sustained.

 

Table of Contents

Preface

1 When Instagram Went to War: Israel’s Occupation in the Social Media Age
2 “Another War Zone”: The Development of Digital Militarism
3 Anatomy of a Facebook Scandal: Social Media as Alibi
4 Palestinians Who Never Die: The Politics of Digital Suspicion
5 Selfie Militarism: The Normalization of Digital Militarism

Afterword: #Revenge

Acknowledgements
Notes
Bibliography
Index

Adi Kuntsman is Lecturer in Information and Communications at Manchester Metropolitan University, and author of Figurations of Violence and Belonging: Queerness, Migranthood and Nationalism in Cyberspace and Beyond (2009).

Rebecca L. Stein is the Nicholas J. & Theresa M. Leonardy Associate Professor of Anthropology at Duke University, and author of Itineraries in Conflict: Israelis, Palestinians, and the Political Lives of Tourism (2008).

 

 

New Article: Samuel-Azran et al, Aristotelian Rhetoric and Facebook Success in Israel’s 2013 Election Campaign

Samuel-Azran, Tal, Moran Yarchi, and Gadi Wolfsfeld. “Aristotelian Rhetoric and Facebook Success in Israel’s 2013 Election Campaign.” Online Information Review 39. (2015): 149-62.

 

URL: http://dx.doi.org/10.1108/OIR-11-2014-0279

 

Abstract

Purpose
– The purpose of this paper is to contribute to the mapping of the social media discourse involving politicians and their followers during election campaigns, the authors examined Israeli politicians’ Aristotelian rhetoric on Facebook and its reception during the 2013 elections campaign.

Design/methodology/approach
– The authors examined the Aristotelian rhetorical strategies used by Israeli politicians on their Facebook walls during the 2013 elections, and their popularity with social media users. 

Findings

– Ethos was the most prevalent rhetorical strategy used. On the reception front, pathos-based appeals attracted the most likes. Finally, the results point to some discrepancy between politicians’ campaign messages and the rhetoric that actually gains social media users’ attention.

Research limitations/implications

– The findings indicate that Israel’s multi-party political system encourages emphasis on candidates’ credibility (ethos) in contrast to the prevalence of emotion (pathos) in typical election campaigns in two-party systems like the USA. One possible explanation is the competitive nature of elections in a multi-party system where candidates need to emphasise their character and distinct leadership abilities.

Practical implications
– Politicians and campaign managers are advised to attend to the potential discrepancy between politicians’ output and social media users’ preferences, and to the effectiveness of logos-based appeals. 

Originality/value 

– The study highlights the possible effect of the party system on politicians’ online rhetoric in social media election campaigns.

New Article: Hino, Lessons from Israeli Consumers’ Adoption of Innovative TV Viewing

Hino, Hayiel. “TV Today, Mobile TV Tomorrow? Extrapolating Lessons from Israeli Consumers’ Adoption of Innovative TV Viewing Technology.” International Journal on Media Management (early view; online first).

 

URL: http://dx.doi.org/10.1080/14241277.2015.1030748

 

Abstract

The present study aims to analyze consumers’ adoption and use of mobile devices as a mobile TV platform that is replacing the traditional TV. Moreover, the study attempts to promote understanding of users’ behavior by employing a new research approach dealing with the acceptance of innovative technology. For this purpose, the study applies a Unified Theory of Acceptance and Use of Technology to assess users’ motivation to view TV content through mobile devices. A sample consists of 280 respondents was obtained from across the Israeli mobile devices user groups. The findings of the study suggest that individual’s intention to use mobile devices to view TV content is significantly influenced by perceived enjoyment, social factors, perceived convenience and viewing quality, viewing cost, and content variety. Implications for TV providers are identified together with consideration of the limitations of the study and avenues for further research.

Cite: Brandes and Levin, Israeli Teenage Girls Constructing Their Social Connections on Facebook

Brandes, Sigal Barak and David Levin. “‘Like My Status’: Israeli Teenage Girls Constructing Their Social Connections on the Facebook Social Network.” Feminist Media Studies (online preview)

URL:  http://www.tandfonline.com/doi/abs/10.1080/14680777.2013.833533

Abstract

This paper engages with the relatively new area of research into teenage girls and online social networks, focusing on the experiences and views of Israelis. In particular, we examine how Israeli girls construct social relationships on Facebook. Adopting a feminist interpretive approach, this qualitative study is based on focus group interviews with Israeli girls aged between twelve and eighteen from diverse cultural, economic, and social backgrounds. The girls clearly distinguish between different circles of social closeness on Facebook, with each circle marked by different relationships, dynamics, and expectations. The study’s findings beg the question of whether social networks allow Israeli girls to exercise control, power, choice, and agency in their social world, or whether they remain informed by existing social structures that shape and restrict their choices and actions. The significance of these findings is discussed in the contexts of feminism, girl power, and Neoliberal discourse.

Cite: Stein, StateTube: Anthropological Reflections on Social Media and the Israeli State

Stein, Rebecca L. “StateTube: Anthropological Reflections on Social Media and the Israeli State.” Anthropological Quarterly 85.3 (2012): 893-916.

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URL: http://muse.jhu.edu/journals/anthropological_quarterly/v085/85.3.stein.html

—

Abstract

While the state’s blueprints for the social media future are currently being imagined by officials in Jerusalem and Tel Aviv, the political effects of this project are far from certain. What will digital statecraft mean for Israel’s relations with neighboring Arab states? How might it impact the everyday functioning of the Israeli military occupation and the everyday lives of Palestinians living under its thumb? For even as events in Egypt and Tunisia concretized state investment in social media as an information platform, and also as a tool for counter-insurgency, these revolutions raised other political specters as well. “We cannot but be impressed,” IDF spokesman Avi Benayahu noted recently in relation to current events in the Arab World, “at how Western technology harms regimes…one cell phone camera can harm a regime more than any intelligence operation can” (Fyler 2011). The fact that social media are concurrently employed by anti-occupation activists, Jewish and Palestinian, on both sides of the Green Line separating Israel proper from its occupied territories, is something that state officials interviewed for this article did not wish to address-and herein lie the risks. When viewed with the Arab Spring in mind, these countervailing digital trends raise the possibility of a very different digital future in Israel-far from that imagined in the IDF’s new media offices.

Cite: St John, Vibe Tribes, Sampledelic Outlaws and Israeli Psytrance

St John, Graham. “Freak Media: Vibe Tribes, Sampledelic Outlaws and Israeli Psytrance.” Continuum 26.3 (2012): 437-447.

 

URL: http://www.tandfonline.com/doi/abs/10.1080/10304312.2012.665839

 

Abstract

As an electronic dance music movement, for over 20 years, psytrance (psychedelic trance) has been a context by which sonic, visual, pharmacological and virtual media have facilitated the expression of interwoven narratives, experimental modes of performance, and the experience of intense sociality in scenes the world-over. A key theme adopted within this movement is the ‘tribe’, the discourse around which is multivalent, though here I focus on the transgressive dimensions of psytrance to which one is attached as a member of a tribe apart. The article provides detailed examination of the outlaw figure and sensibility in psytrance, illustrating how cultural producers – e.g. DJ-producers, label owners, scene writers, event management – facilitate the party vibe, and a distinct ‘psychedelic. or ‘freak’ identity via this trope. Among the chief icons of performance, prestige and tribalism sampled within psytrance music and culture, the outlaw is adapted from popular cultural sources (especially cinema) and redeployed as a means of dissolving and performing difference. The exploration of the outlaw conceit in what I call nano-media amplified by the producers of psytrance music illustrates how a psychedelic fiction is generated. Specific, although not exclusive, attention is given to Israeli producers, which offers comment on psytrance in Israel where this music is considered popular.