New Book: Randall, Sufism and Jewish-Muslim Relations

Randall, Yafiah Katherine. Sufism and Jewish-Muslim Relations. The Derekh Avraham Order in Israel. New York: Routledge, 2016.

 

9781138914032

 

In Israel there are Jews and Muslims who practice Sufism together. The Sufi’ activities that they take part in together create pathways of engagement between two faith traditions in a geographical area beset by conflict.

Sufism and Jewish Muslim Relationsinvestigates this practice of Sufism among Jews and Muslims in Israel and examines their potential to contribute to peace in the area. It is an original approach to the study of reconciliation, situating the activities of groups that are not explicitly acting for peace within the wider context of grass-roots peace initiatives. The author conducted in-depth interviews with those practicing Sufism in Israel, and these are both collected in an appendix and used throughout the work to analyse the approaches of individuals to Sufism and the challenges they face. It finds that participants understand encounters between Muslim and Jewish mystics in the medieval Middle East as a common heritage to Jews and Muslims practising Sufism together today, and it explores how those of different faiths see no dissonance in the adoption of Sufi practices to pursue a path of spiritual progression.

The first examination of the Derekh Avraham Jewish-Sufi Order, this is a valuable resource for students and scholars of Sufi studies, as well as those interested in Jewish-Muslim relations.

 

Table of Contents

    • Part 1: Procedure and Contexts of the Research
    • 1 Introduction
    • 2 Contexts of the Investigation
    • 3 Historical Encounters of Jewish and Islamic Mysticism: precedents of Contemporary Practice in Israel
    • Part 2: Reading the Field Narratives
    • 4 The Derekh Avraham/Tariqat Ibrahimiyya and its Contemporary Re-emergence in Israel
    • 5 Beshara: Lovers of Ibn Arabi
    • 6 Embracing the Sufi Path and the Dissemination of Knowledge
    • 7 Jewish and Muslim Peacemakers
    • Part 3: Conclusion
    • 8 The Other Voice
    • Appendices

 

YAFIAH KATHERINE RANDALL received her PhD at the University of Winchester. She combines academic research into Jewish-Muslim relations focusing on Sufism with grass-roots action for interreligious understanding and conflict transformation.

New Article: Wagner, Nietzsche’s Visions and Buber’s Israel

Wagner, Karin. “Hugo Kauder’s Unexpressed Philosophical Concept: Schelling’s Transcendence, Nietzsche’s Visions and Buber’s Israel.” Journal of Modern Jewish Studies (early view; online first).
 
URL: http://dx.doi.org/10.1080/14725886.2016.1144283
 
Abstract

Hugo Kauder, born in 1888 near Prague, composer, instrumentalist, theoretician and music-philosopher, came to Vienna in 1905, left Austria after the Novemberpogrom 1938 and reached New York via the Netherlands and England in 1940. In 1938 Tel Aviv was also one of his intended havens (parts of Kauder’s estate are kept at the National Library of Israel, Jerusalem). Engaged in the crisis discourse in Vienna’s postwar period of the early 1920s, Kauder drafted his philosophical ideas under the influence of Friedrich Schelling and Friedrich Nietzsche, also speculating on music-teleology, mysticism and cosmology. Corresponding with the German philosopher Rudolf Pannwitz, with the authors Karl Wolfskehl and Erich von Kahler, Kauder expressed his Jewishness – much more as a mindset than an active Jewish identity. Coming from a system of transcendental and natural philosophy combined with Christian ideas, Kauder moved to a more complex syncretism also reflecting on Jewish topics. Kauder did not organize his ideas into a concept, they are, rather, the theoretical framework of his educational books and are widespread in his essays and letters.

 

 

 

Thesis: Chyutin, Judaism, Contemporary Israeli Film, and the Cinematic Experience

Chyutin, Dan. A Hidden Light: Judaism, Contemporary Israeli Film, and the Cinematic Experience, PhD dissertation. Pittsburgh: University of Pittsburgh, 2015.
 
URL: http://d-scholarship.pitt.edu/26366/
 
Abstract

Throughout its brief history, Israeli cinema largely ignored Jewish religious identity, aligning itself with Zionism’s rejection of Judaism as a marker of diasporic existence. Yet over the past two decades, as traditional Zionism slowly declined, and religion’s presence became more pronounced in the public sphere, Israeli filmmakers began to treat Judaism as a legitimate cinematic concern. The result has been a growth in the number of Israeli films dealing with the realities of devoutly religious Jews, amounting to a veritable “Judaic turn” in Israel’s cinematic landscape. As of now, this “turn” has received meager attention within Israeli film scholarship. The following, then, addresses this scholarly lack by offering an extensive investigation of contemporary Judaic-themed Israeli cinema.

This intervention pursues two interconnected lines of inquiry. The first seeks to analyze the corpus in question for what it says on the Judaic dimension of present-day Israeli society. In this context, this study argues that while a dialectic of secular vs. religious serves as the overall framework in which these films operate, it is habitually countermanded by gestures that bring these binary categories together into mutual recognition. Accordingly, what one finds in such filmic representations is a profound sense of ambivalence, which is indicative of a general equivocation within Israeli public discourse surrounding the rise in Israeli Judaism’s stature and its effects on a national ethos once so committed to secularism.

The second inquiry follows the lead of Judaic-themed Israeli cinema’s interest in Jewish mysticism, and extends it to a film-theoretical consideration of how Jewish mystical thought may help illuminate particular constituents of the cinematic experience. Here emphasis is placed on two related mystical elements to which certain Israeli films appeal—an enlightened vision that unravels form and a state of unity that ensues. The dissertation argues that these elements not only appear in the Israeli filmic context, but are also present in broader cinematic engagements, even when those are not necessarily organized through the theosophic coordinates of mysticism. Furthermore, it suggests that this cycle’s evocation of such elements is aimed to help its national audience transcend the ambivalences of Israel’s “Judaic imagination.”

 

 

 

ToC: Jewish Social Studies 21,1 (2015)

Jewish Social Studies 21.1 (2015)

Table of Contents

 Front Matter

JSS-Front

New Article: Sazzad, Mahmoud Darwish’s Poetry as Sumud

Sazzad, Rehnuma. “Mahmoud Darwish’s Poetry as Sumud. Palestinian Resistance to Israeli Occupation and Subjugation.” Interventions (early view; online first).

 

URL: http://dx.doi.org/10.1080/1369801X.2015.1079493

 

Abstract

This essay makes explicit the connection between Palestinian resistance to Israeli control and the principle of sumud. Drawing on Raja Shehadeh and Ismail Shammout, I define this concept and show its strategic role in the resistance. Arguably, critics have identified Darwish’s constant pursuit of aesthetics and his deep commitment to the Palestinian cause without linking them to the narrative of sumud. I suggest that his contribution to the narrative is built on the ground that his aggressors lack the intrinsic tie to the land, which his people perennially possess. Whereas the Israelis produce mythical claims on the land, the indigenous Palestinians are like their olive trees – unswervingly there. In particular, the creativity of the people makes present their absented homeland. Darwish’s exile renders the second phenomenon more comprehensible. Even though he was physically removed from his homeland at a young age, his imagination remained implanted there throughout his life, which resulted in a rich oeuvre.

 

 

New Article: Stolovy et al, Experience of Israeli Women Who Practice Channeling

Stolovy, Tali, Rachel Lev-Wiesel, and Zvi Eisikovits. “Dissociation and the Experience of Channeling: Narratives of Israeli Women Who Practice Channeling.” International Journal of Clinical and Experimental Hypnosis 63.3 (2015): 346-64.

URL: http://dx.doi.org/10.1080/00207144.2015.1031555

Abstract
“Channeling” is a phenomenon in which people describe themselves as receiving messages from another personality or dimension of reality. Channeling is often regarded as dissociation, which is a disruption in the usually integrated functions of consciousness, memory, identity, or perception. This study explored the interface between channeling and dissociation through a phenomenological analysis. Qualitative data were obtained through interviews with 20 Israeli women who practice channeling. The analysis revealed 3 themes: dissociation, absorption, and control. The channelers’ descriptions correspond with what is coined as “dissociative states” and enable an emic view of the etic definition of dissociation.

ToC: Israel Studies Review 29.2 (2014): New Age Culture in Israel

Guest Editors’ Introduction: New Age Culture in Israel
pp. 1-16
Authors: Werczberger, Rachel; Huss, Boaz

Articles

This article focuses on the concept of identity by juxtaposing New Age philosophy and nationalism in the Israeli context. Based on my qualitative research, I deconstruct the Israeli New Age discourse on ethno-national identity and expose two approaches within this discourse. The more common one is the belief held by most Israelis, according to which ethno-national identity is a fundamental component of one’s self. A second and much less prevalent view resembles New Age ideology outside Israel and conceives of ethno-national identities as a false social concept that separate people rather than unite them. My findings highlight the limits of New Age ideology as an alternative to the hegemonic culture in Israel. The difficulty that Israeli New Agers find in divorcing hegemonic conceptualizations demonstrates the centrality and power of ethno-national identity in Israel.
In this article I examine eschatological beliefs and practices among channels in Israel and abroad, and show that they demonstrate an avoidance of traditional, group-oriented political action, and an embrace of alternative, spiritual action performed individually. This is linked to Israel’s shift to a neo-liberal economy and culture in the last few decades, where self-accountability has become the norm. Channeling teaches an extreme version of self-divinity, claiming that a person creates all aspects of his or her life and objecting to outside authority and regulation. It believes in a coming of a New Age of light and that the means to achieve it are personal quests for individual empowerment, which are anticipated to affect the whole world via the “virtual aggregate group,” an energetic reservoir that replaces the traditional group. Channels are engaged in alternative political action, attempting to change the world by virtually pooling spiritual resources.
This article charts the recent development of Modern Paganism in Israel (1999–2012) and analyzes the discourse maintained by Israeli modern-day Pagans when discussing questions of organization and of religious-political rights. As such it deals with the complexities of identifying oneself as a (Jewish-born) Pagan in Israel, the nation state of the Jewish people. I argue that although Israeli Pagans may employ a community-building discourse, they constantly fear the perceived negative consequences of public exposure. They see the bond between (Jewish) religion and the state in Israel as a main factor in the intolerance and even persecution that they expect from the government and from Haredim (“ultra-Orthodox” Jews). The result of this discourse during the first ten years or so of the presence of Modern Paganism in Israel can be seen through the metaphor of a dance, in which participants advance two steps, only to retreat one.
The notion of consciousness change as a political concept has re-emerged as a central issue in recent Israeli political discourse in diverse and seemingly remote groups. The following is a study of some of the contexts and implications of according primacy to consciousness change in political thought, through the tensions between the highly individualistic character of this discourse and its collective language and aims. I focus on one study case, Rabbi Yitzchak Ginsburgh, a key figure in both extreme settler groups and current New Age Hasidic revival. Analyzing his political writings, I explore his notion of consciousness as the true place of politics. Finally, I return to the question of the context in which Rabbi Ginsburgh’s binding of the political to consciousness should be read, and propose liberal individualism, and the direct line it draws between the individual’s consciousness and that of the state, as an alternative hermeneutical perspective.
The quest for personal and inner spiritual transformation and development is prevalent among spiritual seekers today and constitutes a major characteristic of contemporary spirituality and the New Age phenomenon. Religious leaders of the Bratslav community endeavor to satisfy this need by presenting adjusted versions of hitbodedut meditation, a practice that emphasizes solitary and personal connection with the divine. As is shown by two typical examples, popular Bratslav teachers today take full advantage of the opportunity to infuse the hitbodedut with elements not found in Rabbi Nachman’s teachings and to dispense with some elements that were. The article addresses the socio-political rationale at the root of these teachers’ novel interpretation of Bratslav hitbodedut and the ways they attempt to deal with the complications that arise out of their work.
This article describes the new “field” of Sufi ideas and practices in Israeli Jewish society and analyzes the mutual relations between new Western Sufi influences and traditional Sufi orders of the Middle East. It focuses on the role of the Israeli-Palestinian conflict in this evolving field. While the current rise of interest in spirituality is often described as emphasizing an apolitical approach, the evolving Sufi field in Israel is an example of a field that cannot detach itself from the overarching conflict. Moreover, efforts are made by some of the actors in this field to present Sufism as representing a different Islam and, hence, as a potential bridge between the rival parties. These approaches, as this article shows, have their own complexities and influences on the emerging Sufi field in Israel.
Review Essay

Book Reviews

Book Reviews
pp. 153-170

Daniel Bar-Tal and Izhak Schnell, eds., The Impacts of Lasting Occupation: Lessons from Israeli Society

Review by Ned Lazarus

Alan Craig, International Legitimacy and the Politics of Security: The Strategic Deployment of Lawyers in the Israeli Military

Review by Ariel L. Bendor

Joel S. Migdal, Shifting Sands: The United States in the Middle East

Review by Aharon Klieman

Miriam Fendius Elman, Oded Haklai, and Hendrik Spruyt, eds., Democracy and Conflict Resolution: The Dilemmas of Israel’s Peacemaking

Review by Jay Rothman

Eyal Levin, Ethos Clash in Israeli Society

Review by Gabriel Ben-Dor

Danielle Gurevitch, Elana Gomel, and Rani Graff, eds., With Both Feet on the Clouds: Fantasy in Israeli Literature

Review by Ari Ofengenden

New Article: Elimelekh, Fantasy as ‘Recovery, Escape and Consolation’ in the Short Stories of Isaac Bar Moshe

Elimelekh, Geula. “Fantasy as ‘Recovery, Escape and Consolation’ in the Short Stories of Isaac Bar Moshe.” Middle Eastern Studies 50.3 (2014): 426-41.

 

URL: http://www.tandfonline.com/doi/abs/10.1080/00263206.2014.886567

 


Abstract

Isaac Bar Moshe (1927-2004) was born in Baghdad and immigrated to Israel in 1950. This article deals with his literary world, which is split between realism on the one hand and fantasy, mysticism and dreams on the other, with both these planes reflecting his perspective on various existential questions. The article focuses on the short stories in his book Behind the Wall (1973), which, like many of his other works, are largely anchored in his private life and depict a bleak reality, with dreams and fantasy offering the only hope of escape into a better, more spiritual world. The article concludes with an analysis of Bar Moshe’s stories in terms of the three functions of fantasy – ‘recovery, escape and consolation’ – as formulated by writer and philologist J.R.R. Tolkien in his book Tree and Leaf.

New Article: Huss, Imber’s Perception of Kabbalah

Huss, Boaz. “Forward, to the East: Naphtali Herz Imber’s Perception of Kabbalah.” Journal of Modern Jewish Studies 12.3 (2013): 398-418.

URL: http://www.tandfonline.com/doi/abs/10.1080/14725886.2013.826464

 

Abstract

Naphtali Herz Imber is famous as the author of the Jewish national anthem, “Hatikvah” (“The Hope”). He is also quite well known for his non-conformism, vagabond lifestyle, and excessive drinking. However, his interest in the occult and Kabbalah are much less known. Imber wrote several articles on Jewish mysticism, translated some kabbalistic texts, and published the first journal on Kabbalah—Uriel: A Monthly Magazine Devoted to Cabbalistic Science (of which only one issue appeared). Although much scholarly literature has been devoted to Imber and his famous poem, his interest in the occult and Jewish mysticism has not been investigated. This article will discuss Imber’s encounter with late-nineteenth-century esotericism, specifically the doctrines of Laurence and Alice Oliphant and the Theosophical Society. It presents Imber’s notions concerning Jewish mysticism and examines the impact that the Theosophical Society and the Oliphants’ principles had on his perception of Kabbalah. Finally, it discusses the connection between Imber’s Zionism and his interest in Kabbalah and shows that his perception of Jewish mysticism, which was greatly influenced by Western esoteric ideas, was shaped in the framework of fin de siècle Orientalism and Jewish nationalism. Imber’s positive evaluation of Jewish mysticism and its nationalistic interpretation anticipates the position of later Zionist scholars of Jewish mysticism, whose vision of Kabbalah and Hasidism largely shaped the way Jewish mysticism is perceived and studied today.