New Article: Niv-Solomon, An Application of Prospect Theory to the Israeli War Decision in 2006

Niv-Solomon, Anat. “When Risky Decisions Are Not Surprising: An Application of Prospect Theory to the Israeli War Decision in 2006.” Cooperation and Conflict (early view; online first).

 

URL: http://dx.doi.org/10.1177/0010836716640837

 

Abstract

On 12 July 2006, Hezbollah operatives crossed into Israel and attacked a military patrol, killing three soldiers and kidnapping two more. In retaliation to this incident Israel launched a military operation that resulted in 34 days of fighting between Hezbollah and Israel. The Israeli retaliation has been deemed to be severe and surprising. Furthermore, a public investigation commission established by the Israeli government implicated key decision-makers, and especially Prime Minister Olmert, as guilty of hasty and irresponsible decision-making. This article views this case through the lens of prospect theory, showing how the decision was made at the framing stage, and suggesting that this decision was not hasty but, rather, was consistent with the logic of loss-aversion.

 

 

 

New Article: Elbaz & Bar-Tal, Dissemination of Culture of Conflict in the Israeli Mass Media

Elbaz, Sagi, and Daniel Bar-Tal. “Dissemination of Culture of Conflict in the Israeli Mass Media: The Wars in Lebanon as a Case Study.” Communication Review 19.1 (2016): 1-34.
 
URL: http://dx.doi.org/10.1080/10714421.2016.1128185
 
Abstract

Societies involved in intractable conflicts develop cultures of conflict because of experiences that have lasting effects on every aspect of collective life. One product of these cultures is conflict-supporting narratives that provide illumination, justification, and explanation of the conflict reality. These narratives are selective, biased, and distortive, but play an important role in satisfying the basic sociopsychological needs of the society members involved. In these societies, journalists often serve as agents in the formulation and dissemination of these conflict-supporting narratives. The present study analyzes the presentations of narratives of the culture of conflict among Jewish Israeli journalists during Israeli wars in Lebanon. It elucidates the dominant themes of the narratives by content analysis of the news published in newspapers and broadcast on television. In addition, in order to reveal the practices used by journalists in obtaining, selecting, and publishing the news, in-depth interviews with journalists and politicians have been conducted.

 

 

 

New Article: Cochran, Israel in Lebanon (1982–1985)

Cochran, Shawn T. “Israel in Lebanon (1982–1985).” In his War Termination as a Civil-Military Bargain. Soldiers, Statesmen, and the Politics of Protracted Armed Conflict (Basingstoke and New York: Palgrave Macmillan, 2016): 71-93.

 
war termination
 
URL: http://link.springer.com/chapter/10.1057/9781137527974_4 
 

Abstract

The Lebanon War of 1982–85, generally recognized as the sixth Arab-Israeli conflict, was the longest and most divisive war in Israel’s history, producing “a level of polarization in Israeli society not seen since the birth of the state.” Israel did not anticipate a lengthy war at the outset nor did this appear likely in the early stages of the conflict. After only a week of fighting, Minister of Defense Ariel Sharon announced to the Knesset Defense Committee, “The job is done in Lebanon,” a claim with some parallels to President George W. Bush’s “mission accomplished” statement made in relation to Iraq two decades later. Contemporary observers were quick to claim Israeli victory and tout the operation as a military success. Israel Defense Forces (IDF) General Avraham Tamir would later recall, “Nobody in Israel could imagine at that moment that the IDF would withdraw only three years later after what was meant to be a swift operation.” Over the next few months, however, Israel became embroiled in a protracted struggle with guerilla forces and terrorists as it tried to translate early military gains into desired political objectives. Pundits labeled the war a “quagmire” and “morass.” One popular Israeli commentator likened the IDF in Lebanon to Napoleon’s army in Russia. Whatever the reference, apparent by the fall of 1982 was that “Israel was in for a long and dark nightmare from which there was no simple escape.”

 

 

 

New Article: Kraemer, Waltz with Bashir: Trauma and Representation in the Animated Documentary

Kraemer, Joseph A. “Waltz with Bashir (2008): Trauma and Representation in the Animated Documentary.” Journal of Film and Video 67.3-4 (2015): 57-68.

 

URL: https://muse.jhu.edu/journals/journal_of_film_and_video/v067/67.3-4.kraemer.html

 

Excerpt

Waltz with Bashir, in its final minutes, seems to fall within this trap of showing the modern condition of the world at its worst, the trauma of human suffering, as something that can be contained and distilled down to the most dramatic, visceral document of the massacre possible—the archival video clip—which somehow can satisfactorily sum up the truth of that calamity. In this way, the film betrays the momentum toward a truly authentic representation of the Sabra and Shatila massacre, where the film was headed before its final, non-animated sequence. Folman’s assertion that his remembrance and rediscovered ability to know and take possession of the traumatic event would set him free from the amnesia he suffered, to say nothing of the trauma of those families left behind to mourn their dead, seems inaccurate and misguided.

 

 

Reviews: Craig, International Legitimacy and the Politics of Security

Craig, Alan. International Legitimacy and the Politics of Security. The Strategic Deployment of Lawyers in the Israeli Military. Lanham, MD: Lexington, 2013.

 

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Reviews:

Bendor, Ariel. “Review.” Israel Studies Review 29.2 (2014): 155-157.

Belge, Ceren. “Review.” International Journal of Middle East Studies 47.1 (2015): 179-180.

New Book: Yosef and Hagin, eds. Trauma and Memory in Israeli Cinema

Yosef, Raz and Boaz Hagin. Deeper than Oblivion. Trauma and Memory in Israeli Cinema. New York and London: Bloomsbury Academic, 2013.

oblivion

 

URL: http://www.bloomsbury.com/us/deeper-than-oblivion-9781441199263/

 

In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention. Tracing a long line of films from the 1940s up to the 2000s, the contributors use close readings of these films not only to reconstruct the past, but also to actively engage with it. Addressing both high-profile and lesser known fiction and non-fiction Israeli films, Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma. By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today.

Table of Contents

Acknowledgments

Chapter 1: Sweet on the Inside: Trauma, Memory, and Israeli Cinema Boaz Hagin and Raz Yosef

Chapter 2: Postscript to Israeli Cinema: East/West and the Politics of Representation Ella Shohat

Chapter 3: Gender, the Military, Memory, and the Photograph: Tamar Yarom’s To See If I’m Smiling and American Films about Abu Ghraib Diane Waldman

Chapter 4: The Event and the Picture: David Perlov’s My Stills and Memories of the Eichmann Trial Anat Zanger

Chapter 5: The Agonies of an Eternal Victim: Zionist Guilt in Avi Mograbi’s Happy Birthday, Mr. Mograbi Shmulik Duvdevani

Chapter 6: Traces of War: Memory, Trauma, and the Archive in Joseph Cedar’s Beaufort Raz Yosef

Chapter 7: Memory of a Death Foretold: Fathers and Sons in Assi Dayan’s “Trilogy” Yael Munk

Chapter 8: Queering Terror: Trauma, Race, and Nationalism in Palestinian and Israeli Gay Cinema during the Second Intifada Raya Morag

Chapter 9: “Our Traumas”: Terrorism, Tradition, and Mind Games in Frozen Days Boaz Hagin

Chapter 10: History of Violence: From the Trauma of Expulsion to the Holocaust in Israeli Cinema Nurith Gertz and Gal Hermoni

Chapter 11: Last Train to the Holocaust Judd Ne’eman and Nerit Grossman

Chapter 12: Passages, Wars, and Encounters with Death: The Desert as a Site of Memory in Israeli Film Yael Zerubavel

Chapter 13: “Walking through walls”: Documentary Film and Other Technologies of Navigation, Aspiration, and Memory Janet Walker

Notes on Contributors

Index

 

New Article: Henkin, Multidirectional Warfare in the Second Lebanon War

Henkin, Yagil. “On Swarming: Success and Failure in Multidirectional Warfare, from Normandy to the Second Lebanon War.” Defence Studies 14.3 (2014): 310-32.

 

URL: www.tandfonline.com/doi/abs/10.1080/14702436.2014.901663

 

Abstract

Abstract

In recent years, the idea of ‘swarming’ – that is, simultaneous multidirectional attack or maneuver by large number of independent or semi-independent small units – became a subject of a heated debate. Some believe this is the future of warfare, while others see this belief as ridiculous and dangerous. In the Israel Defense Forces (IDF), specifically, swarming was heralded as the new way of war before the 2006 Second Lebanon War. But during and after the war, the word itself was turned into a derogatory term, symbolizing all that was wrong with the IDF’s performance: relying on new, untested and unrealistic concepts to pretend that the Army has a silver bullet which will solve its problems quickly and easily, ignoring reality in the process. This article draws on six historical case studies, from the American airborne operation in the Normandy Invasion to the Second Lebanon War, to examine the method of swarming, its relevance and its uses. Finally, the article concludes that Swarming is not a revolutionary method, and not ‘The future of conflict’. However it is a very useful method in certain situations, provided that commanders know and understand its possibilities and limitations.

ToC: Israel Affairs 20,2 (2014): Special Issue, Politics and Poetry

Israel Affairs 20,2 (2014)

Special Issue: Politics and Poetry in Israel

http://www.tandfonline.com/toc/fisa20/20/2

 

Articles

Poetry and poets in the public sphere

Assaf Meydani & Nadir Tsur; pages 141-160

  • DOI:10.1080/13537121.2014.889889
  • Published online: 01 Apr 2014

The leader as a poet: the political and ideological poetry of Ze’ev Jabotinsky

Arye Naor; pages 161-181

  • DOI:10.1080/13537121.2014.889890
  • Published online: 22 May 2014

The image of the ‘living-dead’ in Nathan Alterman’s poetry: from archetype to national symbol

Ortsion Bartana; pages 182-194

  • DOI:10.1080/13537121.2014.889886
  • Published online: 29 May 2014

The art of politics and poetry: the political poetry of Jacques Prevert and Aryeh Sivan

Samuel (Muli) Peleg; pages 195-213

  • DOI:10.1080/13537121.2014.889892
  • Published online: 07 May 2014

Hegemony inside and out: Nathan Alterman and the Israeli Arabs

Yochai Oppenheimer; pages 214-225

  • DOI:10.1080/13537121.2014.889891
  • Published online: 04 Apr 2014

‘Silent in white ink’: the motif of silence in Israeli-Palestinian women’s poetry translated from Arabic to Hebrew

Leah Baratz & Roni Reingold; pages 226-239

  • DOI:10.1080/13537121.2014.889885
  • Published online: 16 Apr 2014

Politics and poetry in the works of Shalom Shabazī

Yosef Tobi; pages 240-255

  • DOI:10.1080/13537121.2014.889893
  • Published online: 14 Apr 2014

Why did poetry and piyut disappear from the religious-Zionist High Holy Day prayer book, and what prompted their return?

Shimon Fogel; pages 256-270

  • DOI:10.1080/13537121.2014.889887
  • Published online: 04 Apr 2014

An Israeli Bob Dylan is yet to be born: the politics of Israeli protest music

Yitzhak Katz; pages 271-279

  • DOI:10.1080/13537121.2014.889888
  • Published online: 26 Mar 2014