Bulletin: Israeli Music

Journal ToC: Pe’imot 3 (2016):

peimot3כתב העת פעימות מהווה צוהר אל עולם המוזיקה והמחקר המוזיקולוגי בתוך הקשריו לשיח התרבותי העכשווי בארץ. המשתתפים בכתב העת קשורים בתחום המוזיקולוגיה – חוקרים וסטודנטים מתקדמים, מלחינים ומבצעים. המאמרים מכוונים לקהל מגוון: למוזיקאים, למוזיקולוגים ולכל שוחר מוזיקה, לאנשי ספרות, אמנות וקולנוע ולחוקרי חברה ותרבות.

  • ראובן סרוסי: כמה דברים על אריק שפירא
  • אסף שלג: לחשוב מחדש על דברי הימים של המוזיקה האמנותית הישראלית (וגם על יוסף טל)
  • יוסף גולדנברג: שתי רביעיות כלי קשת ישראליות מודרניות מוקדמות: “קשתות קיץ” מאת צבי אבני ו”תהלים” מאת עדן פרטוש
  • ענת רוזנשיין-ויקס: השאלות, שילובים ו”הלחנה מחדש” בשלוש יצירות מאת בטי אוליברו
  • הילה טמיר-אוסטרובר: התגלמות הטראומה באופרה “פנימה” מאת חיה צ׳רנובין
  • שושנה זאבי: הפואטיקה של חוויית הסף בשירה ובמוזיקה (“השער האפל” – דוד פוגל ואייל אדלר; “הכרמל האי-נראה” – זלדה וינעם ליף; “ציפור כלואה” – יאיר הורוביץ ומנחם ויזנברג)
  • אור שמש: שיחה עם ראובן סרוסי
  • אופיר אילזצקי: בקצה המדבר: שיחה עם אריק שפירא
  • מירה זכאי: שיחה עם עודד זהבי
  • ג’ונתן גולדמן: חיפוש אחר אינטראקציות: שיחה עם עופר פלץ

 

Articles

Events

Ilana Webster-Kogen (SOAS), “Ethiopian Music in Tel Aviv: Performing Otherness along Levinski Street,” Feb 9, 2017, 4pm. Centre for Jewish Studies, University of Manchester

New Article: Shelleg, Holocaust Imageries in Late Israeli Art Music

Shelleg, Assaf. “Abandoning Representations: Holocaust Imageries in Late Israeli Art Music.” Dapim (early view; online first).

 

URL: http://dx.doi.org/10.1080/23256249.2016.1131021

 

Abstract

Discussing mechanisms of representation in modern Jewish art music in general and post-Holocaust commemoration music in particular, the article examines the dilution of musical signs in Holocaust-related works penned by Israeli composers Noam Sheriff, Ruben Seroussi, and Tzvi Avni. Written within the span of thirteen years, between 1985 and 1998, these works include Sherrif’s (b. 1935) Mechaye Hametim (He Who Revives the Dead, 1985); Seroussi’s (b. 1959) A Victim from Terezin (1995; based on excerpts from Gonda Redlich’s Terezin diary); Avni’s (b. 1927) Se questo è un oumo (1998; a setting of poems by Primo Levi); and Avni’s From There and Then (1994–1998). The compositions under discussion unfold a continuum of aesthetic approaches ranging from postromantic trajectories that stitch musical signs on nationalist teleological constellations (Sheriff), through conscious non-redemptive formulations (Seroussi), to compositional emphases on the migration and translocation of Jewish musics rather than affixed signs of otherness (Avni). The dilution of Jewish musical markers not only attests to the composers’ abandoning of representational apparatuses, but also necessitates a broader look at the dialectical movement of Jewish musics before, during, and after the Holocaust, lest these sounds become objectified or otherwise overshadowed by nationalist constellations.

 

 

 

ToC: Jewish Social Studies 21,1 (2015)

Jewish Social Studies 21.1 (2015)

Table of Contents

 Front Matter

JSS-Front

Workshop: Erez on Greek Popular Music; Rosenhek on Israel’s Political Economy (NYU, Dec 4, 2015)

12/4/15 – Taub Center Graduate Workshop

 

10am – 2pm

The Taub Center organizes regular workshops for graduate students and faculty in the field of Israel Studies at NYU and other universities in the tri-state area. The regional workshops are an opportunity for students and faculty to present and discuss their respective areas of research.  The workshops also serve as an important forum for networking and strengthening the field of Israel Studies.

First Floor, 14A Washington Mews

Coffee is served from 10 – 10:30am, and a kosher lunch served at noon.

 

RSVP here.

 

10:30am
Oded Erez
UCLA

Becoming Mediterranean: Greek Popular Music and the Politics of Ethnicity in Israel

Oded Erez is a doctoral candidate in the Department of Musicology and the Program in Experimental Critical Theory at UCLA. His current research focuses on the politics of ethnicity, diaspora, and vernacular cosmopolitanism in popular music and film. He has presented his work in wide range of disciplinary contexts, including at the annual meetings of the American Musicological Society, the American Comparative Literature Association, and the  Association for Israel Studies. He currently teaches at the Hebrew University’s School of Arts. His paper “The Practice of Quoting Everyday Life: Quotation as Political Praxis in the songs of HaBiluim” will be published in the upcoming issue of Theory and Criticism (Teoria U’vikoret).

 

12:30pm
Ze’ev Rosenhek
The Open University of Israel

The Dynamics of Israel’s Political Economy: Change and Continuity in State-Economy Relations

Zeev Rosenhek is Associate Professor in the Department of Sociology, Political Science and Communication at the Open University of Israel. His main research interests lie in the fields of political and economic sociology, with a particular focus on processes of institutional change and continuity in state-economy relations. He has conducted research on the political economy of the welfare state, labor migration, and the politics of institutionalization of the neo-liberal regime in Israel. He is the co-author of The Israeli Central Bank: Political Economy, Global Logics and Local Actors (Routledge, 2011) with Daniel Maman, and has published numerous articles in books and journals. He is currently conducting research on the emergence and dynamics of the institutional field of financial literacy in Israel and its interfaces with transnational knowledge and policy networks.

 

New Book: Katz, Bringing Zion Home. Israel in American Jewish Culture

Katz, Emily Alice. Bringing Zion Home. Israel in American Jewish Culture, 1948-1967. Albany: SUNY Press, 2015.

 

Katz, Bringing Zion Home

 

Bringing Zion Home examines the role of culture in the establishment of the “special relationship” between the United States and Israel in the immediate postwar decades. Many American Jews first encountered Israel through their roles as tastemakers, consumers, and cultural impresarios—that is, by writing and reading about Israel; dancing Israeli folk dances; promoting and purchasing Israeli goods; and presenting Israeli art and music. It was precisely by means of these cultural practices, argues Emily Alice Katz, that American Jews insisted on Israel’s “natural” place in American culture, a phenomenon that continues to shape America’s relationship with Israel today.

Katz shows that American Jews’ promotion and consumption of Israel in the cultural realm was bound up with multiple agendas, including the quest for Jewish authenticity in a postimmigrant milieu and the desire of upwardly mobile Jews to polish their status in American society. And, crucially, as influential cultural and political elites positioned “culture” as both an engine of American dominance and as a purveyor of peace in the Cold War, many of Israel’s American Jewish impresarios proclaimed publicly that cultural patronage of and exchange with Israel advanced America’s interests in the Middle East and helped spread the “American way” in the postwar world. Bringing Zion Home is the first book to shine a light squarely upon the role and importance of Israel in the arts, popular culture, and material culture of postwar America.

Emily Alice Katz teaches history at the University of California, Irvine.

 

Table of Contents

List of Illustrations
Acknowledgments

1. Introduction: Postwar American Jewry Reconsidered

2. Before Exodus: Writing Israel for an American Audience

3. Hora Hootenannies and Yemenite Hoedowns: Israeli Folk Dance in America

4. A Consuming Passion: Israeli Goods in American Jewish Culture

5. Cultural Emissaries and the Culture Explosion: Introducing Israeli Art and Music

Conclusion
Notes
Bibliography
Index

 

Event: The Israeli Chamber Project at JTS, October 22, 2014

In Our Community
“The Israeli Chamber Project is that rarest of creatures: a band of world-class soloists that is not a muster of peacocks, but a hive mind in which egos dissolve and players think, breathe, and play as one.” —Time Out New York

The Israeli Chamber Project with Samuel Rhodes
ABOUT THE CONCERT

The artists of the award-winning Israeli Chamber Project are joined together by a common passion for music-making and the musical traditions of their native Israel. Acclaimed in performances around the world, they juxtapose music from the standard classical repertoire with music born in and influenced by Israeli and Jewish culture. Works of Mozart and Brahms bookend this program, which also features the New York premiere of celebrated Israeli composer Jonathan Keren’s Infracta, commissioned by the ICP, as well as Erwin Schulhoff’s energetic, folk-inspired Duo for Violin and Cello. The ensemble is joined by legendary violist Samuel Rhodes, who served as the Juilliard String Quartet’s violist for 44 seasons until his retirement in 2013.

ABOUT THE PERFORMERS

Israeli Chamber Project 
Founded in 2008, the Israeli Chamber Project (ICP) brings together some of today’s most distinguished musicians for chamber music concerts and educational and outreach programs. A dynamic ensemble that features classic and rarely heard chamber masterworks, as well as newly commissioned music from Israeli composers, ICP performs at major concert venues and lesser-known locations where chamber music concerts are rare. It provides educational programs—including master classes and lessons to underprivileged communities—and increases the audience’s understanding of and involvement with music by providing commentary from the stage. Based both in Israel and New York City, the Israeli Chamber Project was named the winner of the 2011 Israeli Ministry of Culture Outstanding Ensemble Award. Among the ensemble’s members are prizewinners at the Tchaikovsky International Competition, Borletti-Buitoni Trust Award, Avery Fisher Career Grant, and Gaspar Cassado Cello Competition.

Tibi Cziger (artistic director, clarinet)
Called an “exciting soloist” by the New York Times, Israeli clarinetist Tibi Cziger has performed in Israel, Korea, Europe, and the United States. He is the artistic director and cofounder of ICP, and has performed in numerous concerts, television and radio broadcasts, and festivals such as Marlboro, Musique en Brionnais, and the Jerusalem International Chamber Music Festival.

Michal Korman (cello)
A Gaspar Cassado and George Enescu International Cello Competitions prize winner, cellist Michal Korman has performed as a soloist with the Israel Philharmonic under Zubin Mehta, Tokyo Philharmonic, Orquesta Sinfónica Nacional of Peru, and Juilliard Chamber Orchestra, and appeared in solo and chamber music recitals at Carnegie and Alice Tully Halls, as well as Israel’s major venues. Ms. Korman is a cofounding member of ICP, with which she tours annually.

Assaff Weisman (executive director, piano)
Pianist Assaff Weisman’s performances have taken him to some of the major venues of Europe, the Middle East, and the Americas. These include Prague’s Rudolfinum, Beethovenhalle Bonn, the Hague’s Dr. Anton Philips Hall, and New York City’s Lincoln Center. A first-prize winner in the 2006 Iowa International Piano Competition, he has appeared as soloist with the Sioux City Symphony, American Chamber Orchestra, and Connecticut Valley Chamber Orchestra.

Carmit Zori (violin)
Israeli violinist Carmit Zori came to the United States at 15 to study with Ivan Galamian, Jaime Laredo, and Arnold Steinhardt at Philadelphia’s Curtis Institute of Music. Today, she is the recipient of the Levintritt Foundation and Pro Musicis International awards, and the top prize in the Walter W. Naumburg International Violin Competition.

with special guest artist

Samuel Rhodes (viola)
Samuel Rhodes was the violist of the celebrated Juilliard String Quartet for 44 seasons, and has been a member of The Juilliard School’s viola faculty for 46 years; he is currently department chair. Mr. Rhodes has participated in the Marlboro Festival since 1960, and is a faculty member of the Tanglewood Music Center.

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JTS Presents: The Israeli Chamber Project with Samuel Rhodes, an Evening of Chamber Music from The Juilliard School is the culmination of The Juilliard School’s fifth daylong residency of educational and inspirational performances and master classes at JTS, and the first of the 2014–2015 academic year. Through examination of Jewish culture and community within the arts, the residency—including this evening performance which is open to the public—incorporates music of composers of Jewish heritage, as well as compositions that highlight Jewish themes and traditions.

“These residencies and concerts by The Juilliard School are a significant step forward in our effort to make the creative arts a vital presence in the life and culture of The Jewish Theological Seminary. The JTS Arts Initiative, launched by Chancellor Arnold M. Eisen with the energetic and able support of our distinguished Arts Advisory Board, is already causing a stir with exciting new ventures such as this one with Juilliard—and there is much more to come.” —Dr. Alan Cooper, Elaine Ravich Professor of Jewish Studies and Provost, JTS

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The Juilliard School established this country’s standard for performing arts education in music (1905), adding dance (1951) and, as a founding member of Lincoln Center in 1968, drama. Currently more than 800 young artists from 44 states (plus Washington DC) and 46 foreign countries attend Juilliard.

The Jewish Theological Seminary serves North American Jewry by educating intellectual and spiritual leaders for Conservative Judaism and the vital religious center, training rabbis, cantors, scholars, educators, communal professionals, and lay activists who are inspired by our vision of Torah and dedicated to assisting in its realization.

ToC: Israel Affairs 20,2 (2014): Special Issue, Politics and Poetry

Israel Affairs 20,2 (2014)

Special Issue: Politics and Poetry in Israel

http://www.tandfonline.com/toc/fisa20/20/2

 

Articles

Poetry and poets in the public sphere

Assaf Meydani & Nadir Tsur; pages 141-160

  • DOI:10.1080/13537121.2014.889889
  • Published online: 01 Apr 2014

The leader as a poet: the political and ideological poetry of Ze’ev Jabotinsky

Arye Naor; pages 161-181

  • DOI:10.1080/13537121.2014.889890
  • Published online: 22 May 2014

The image of the ‘living-dead’ in Nathan Alterman’s poetry: from archetype to national symbol

Ortsion Bartana; pages 182-194

  • DOI:10.1080/13537121.2014.889886
  • Published online: 29 May 2014

The art of politics and poetry: the political poetry of Jacques Prevert and Aryeh Sivan

Samuel (Muli) Peleg; pages 195-213

  • DOI:10.1080/13537121.2014.889892
  • Published online: 07 May 2014

Hegemony inside and out: Nathan Alterman and the Israeli Arabs

Yochai Oppenheimer; pages 214-225

  • DOI:10.1080/13537121.2014.889891
  • Published online: 04 Apr 2014

‘Silent in white ink’: the motif of silence in Israeli-Palestinian women’s poetry translated from Arabic to Hebrew

Leah Baratz & Roni Reingold; pages 226-239

  • DOI:10.1080/13537121.2014.889885
  • Published online: 16 Apr 2014

Politics and poetry in the works of Shalom Shabazī

Yosef Tobi; pages 240-255

  • DOI:10.1080/13537121.2014.889893
  • Published online: 14 Apr 2014

Why did poetry and piyut disappear from the religious-Zionist High Holy Day prayer book, and what prompted their return?

Shimon Fogel; pages 256-270

  • DOI:10.1080/13537121.2014.889887
  • Published online: 04 Apr 2014

An Israeli Bob Dylan is yet to be born: the politics of Israeli protest music

Yitzhak Katz; pages 271-279

  • DOI:10.1080/13537121.2014.889888
  • Published online: 26 Mar 2014

ToC: Israel Studies 19.2 (2014)

[ToC from Project Muse; content also available at JStor: http://www.jstor.org/stable/10.2979/israelstudies.19.issue-2]

Israel Studies

Volume 19, Number 2, Summer 2014

Table of Contents

Special Issue: Zionism in the 21st Century

Editors: Ilan Troen and Donna Robinson Divine

 

Introduction: (Special issue, Israel Studies, 19.2)

pp. v-xi

Ilan Troen, Donna Robinson Divine

Articles: Zionist Theory

Cultural Zionism Today

pp. 1-14

Allan Arkush

Bi-Nationalist Visions for the Construction and Dissolution of the State of Israel

pp. 15-34

Rachel Fish

Culture: Literature and Music

Nostalgic Soundscapes: The Future of Israel’s Sonic Past

pp. 35-50

Edwin Seroussi

Cultural Orientations and Dilemmas

Remember? Forget? What to Remember? What to Forget?

pp. 51-69

Tuvia Friling

The Kibbutz in Immigration Narratives of Bourgeois Iraqi and Polish Jews Who Immigrated to Israel in the 1950s

pp. 70-93

Aziza Khazzoom

Politics and Law

Zionism and the Politics of Authenticity

pp. 94-110

Donna Robinson Divine

Law in Light of Zionism: A Comparative View

pp. 111-132

Suzanne Last Stone

Economics and Land

Some Perspectives on the Israeli Economy: Stocktaking and Looking Ahead

pp. 133-161

Jacob Metzer

Competing Concepts of Land in Eretz Israel

pp. 162-186

Ilan Troen, Shay Rabineau

Israel’s Relationship with Its Neighbors and the Palestinian Arab Citizens

The Arab Minority in Israel: Reconsidering the “1948 Paradigm”

pp. 187-217

Elie Rekhess

Israel’s Place in a Changing Regional Order (1948–2013)

pp. 218-238

Asher Susser

Religion and Society

Messianism and Politics: The Ideological Transformation of Religious Zionism

pp. 239-263

Eliezer Don-Yehiya

The Ambivalent Haredi Jew

pp. 264-293

Yoel Finkelman

Contributors

pp. 294-296

Reviews: Kanaaneh and Nusair, eds. Displaced at Home

Kanaaneh, Rhoda Ann and Isis Nusair, eds. Displaced at Home. Ethnicity and Gender among Palestinians in Israel. Albany, N.Y.: State University of New York Press, 2010.

cover

Reviews

  • Sa’ar, Amalia. “Review.” Review of Middle East Studies 45.1 (2011): 113-115.
  • Bachal, Lauren, et al. “Review.” Contemporary Sociology 40.5 (2011): 639-40.
  • Gluck, Sherna Berger. “New Directions in Palestinian Oral History.” Oral History Review 39.1 (2012): 100-111.
  • Vivier, Elmé. “Review.” Journal of International Women’s Studies 13.3 (2012): 203-207.
  • Arar, Khalid. “Review.” British Journal of Middle Eastern Studies 40.2 (2013): 227-30.

.

Cite: Spagnolo, Politics of Mediterranean Music between Israel and Italy

Spagnolo, Francesco. "Crossing the Sea of Song: Politics of Mediterranean Music between Israel and Italy."  Min-Ad: Israel Studies in Musicology Online 7,2 (2008-2009). 12 pp.

 

URL: http://www.biu.ac.il/hu/mu/min-ad/8-9-II/09-Spagnolo-Crossing_the_Sea_of_Song.pdf

 

Keywords: Israeli music, culture, popular culture, Zionism, Acculturation, Cultural Construction, Law, Politics, Comparative, Italy, Italian

Cite: Schejter and Elavsky, The Role of Israeli Law and Policy in the Advancement of Israeli Music

Schejter, Amit M.  and C. Michael Elavsky. "’And the Children of Israel Sang this Song’: The Role of Israeli Law and Policy in the Advancement of Israeli Music."  Min-Ad: Israel Studies in Musicology Online 7,2 (2008-2009). 23 pp.

 

URL: http://www.biu.ac.il/hu/mu/min-ad/8-9-II/08_Schejter_Eliavsky.pdf

 

Keywords: Israeli music, culture, popular culture, Zionism, Acculturation, Cultural Construction, Law, Politics

Cite: McDonald, Hip-Hop and the Poetics of Palestinian Identities in Israel

McDonald, David A. "Carrying Words Like Weapons: Hip-Hop and the Poetics of Palestinian Identities in Israel."  Min-Ad: Israel Studies in Musicology Online 7,2 (2008-2009). 15 pp.

 

URL: http://www.biu.ac.il/07_McDonald_Carrying-Words.pdf

 

Keywords: Israeli music, culture, popular culture, Hip-Hop, מוסיקה, Israel: Society, Israeli Palestinians

Cite: Hirschberg, A Comprehensive Model of Ideology and Practice in Israeli Art Music

Hirschberg, Jehoash. "The Vision of the East and the Heritage of the West: A Comprehensive Model of Ideology and Practice in Israeli Art Music."  Min-Ad: Israel Studies in Musicology Online 7,2 (2008-2009). 23 pp.

 

URL: http://www.biu.ac.il/06-Hirshberg_The%20Vision.pdf

 

Keywords: Israeli music, culture, popular culture,יהואש הירשברג, מוסיקה, Israel: Society, Ethnic Divide, Orientalism, Mizrahim / Ashkenazim Rift, Mizrahi Israelis, Ashkenazi Israelis

Cite: Dardashti, The Politics of Culture-Brokering Palestinian-Israelis in Israel

Dardashti, Galeet. "’Sing us a Mawwal’: The Politics of Culture-Brokering Palestinian-Israelis in Israel."  Min-Ad: Israel Studies in Musicology Online 7,2 (2008-2009). 30 pp.

 

URL: http://www.biu.ac.il/05-Dardashti-Sing_us_a_Mawal.pdf

 

Keywords: Israeli music, culture, popular culture, מוסיקה, Israeli-Palestinian conflict, shared culture

Cite: Brinner, Emergence of New Israeli/Palestinian Musical Competences & Connections

Brinner, Benjamin. "Beyond Ethnic Tinge or Ethnic Fringe: The Emergence of New Israeli/Palestinian Musical Competences & Connections ."  Min-Ad: Israel Studies in Musicology Online 7,2 (2008-2009). 21 pp.

 

URL: http://www.biu.ac.il/04_Brinner.pdf

 

Keywords: Israeli music, culture, popular culture, ברינר, מוסיקה, Israeli-Palestinian conflict, shared culture

Cite: Seroussi, Israeli Music and its Study

—————–

Seroussi, Edwin. "Israeli Music and its Study: Processes and Experiences."  Min-Ad: Israel Studies in Musicology Online 7,2 (2008-2009). 35 pp.

————–

URL: http://www.biu.ac.il/hu/mu/min-ad/8-9-II/03-Seroussi-Music%20in%20Israel%20at%20Sixty.pdf

———————-

Keywords: Israeli music, culture, popular culture, סרוסי, מוסיקה, methodology

ToC: MinAd. Israel Studies in Musicology Online 7,2 (2008-2009)

Enclosed please find the Table of Contents of this issue for your reference. The Online publication can be accessed through Google at Min-Ad Home, and at http://www.biu.ac.il/hu/mu/min-ad/8-9-II/. [items will be posted also separately, time permitting].

MinAd: Israel Studies in Musicology Online

Volume 7/II -2008-2009. Special Issue: Hearing Israel: Music, Culture and History at 60,

Table of Contents

James Loeffler and Joel Rubin, guest editors
Introduction: Hearing Israel: Music, Culture and History at 60

Motti Regev and Edwin Seroussi
Remembering Galit Saada-Ophir, z²l

Edwin Seroussi
Israeli Music and its Study: Processes and Experiences

Benjamin Brinner
Beyond Ethnic Tinge or Ethnic Fringe: The Emergence of New Israeli/Palestinian Musical Competences & Connections

Galeet Dardashti
³Sing us a Mawwal²: The Politics of Culture-Brokering Palestinian-Israelis in Israel

Jehoash Hirschberg
The Vision of the East and the Heritage of the West: A Comprehensive Model of Ideology and Practice in Israeli Art Music

David A. McDonald
Carrying Words Like Weapons: Hip-Hop and the Poetics of Palestinian Identities in Israel

Amit M. Schejter and C. Michael Elavsky
³And the Children of Israel Sang this Song²: The Role of Israeli Law and Policy in the Advancement of Israeli Music

Francesco Spagnolo
Crossing the Sea of Song: Politics of Mediterranean Music between Israel and Italy

Joseph Goldenberg
Review of Pentatonicism from the Eighteenth Century to Debussy by Jeremy Day-O¹Connell (Rochester: University of Rochester Press, 2007).

Morel Koren
Dan Timis – In Memoriam

Menahem Weisenberg
Remembering Dr. Erez Rapoport z²l (in Hebrew)

Our next issue of MinAd, co-edited with Dr. Rivka Elkoshi, will be devoted to articles relating to Music Education.

 

This special issue entitled: Hearing Israel: Music, Culture and History at 60, was edited by Prof. James Loeffler and Prof. Joel Rubin of the University of Virginia, and contains proceedings from a conference on Israeli music that took place at the University of Virginia in 2008. For further information about this conference, please visit the website at http://www.virginia.edu/jewishstudies/music-conference.html.