Bulletin: Theatre and Cinema

Books

Articles

Events

Asher Tlalim, “A History of Israeli Cinema: From National to Personal Films”; SOAS, March 20, 2017

 

New Article: Gamliel, The Lasting Hegemony in Israeli Theatre

Gamliel, Tova. “Ghosts and Habitus: The Lasting Hegemony in Israeli Theatre.” Ethnography (early view; online first).

 

URL: http://dx.doi.org/10.1177/1750635216643113

 
Abstract

The article asks why the Israeli theatre’s ‘voicing hegemony’ practices endure despite a critical public debate that favors cultural pluralism. Ethnographies at two central repertory theatres elicit the meanings of the theatre’s ‘back-to-the past’ institutional habitus, as revealed in observations and in-depth interviews with actors, and disclose artistic dispositions that bolster veteran actors’ stature in the theatre and Israeli art generally. Analysis of the findings links professional capital with the twilight of an artist’s theatrical career. One conclusion connects the theatrical habitus with justification of Israel’s Zionist ideology. Theoretically, the article illuminates the historical component of the Bourdieuian concept of habitus. The duplication of this component in the back-to-the-past habitus inheres to mythification processes and makes the theatrical habitus relatively resilient to social changes.

 

 

New Article: Imhoff et al, Differences in Attributions for the Holocaust in Germany, Israel, and Poland

Imhoff, Roland, Michał Bilewicz, Katja Hanke, Dennis T. Kahn, Naomi Henkel-Guembel, Slieman Halabi, Tal-Shani Sherman, and Gilad Hirschberger. “Explaining the Inexplicable: Differences in Attributions for the Holocaust in Germany, Israel, and Poland.” Political Psychology (early view; online first).

 

URL: https://dx.doi.org/10.1177/0959353516647071

 

Abstract

Seventy years have passed since the Holocaust, but this cataclysmic event continues to reverberate in the present. In this research, we examine attributions about the causes of the Holocaust and the influence of such attributions on intergroup relations. Three representative surveys were conducted among Germans, Poles, and Israeli Jews to examine inter- and intragroup variations in attributions for the Holocaust and how these attributions influence intergroup attitudes. Results indicated that Germans made more external than internal attributions and were especially low in attributing an evil essence to their ancestors. Israelis and Poles mainly endorsed the obedient essence attribution and were lowest on attribution to coercion. These attributions, however, were related to attitudes towards contemporary Germany primarily among Israeli Jews. The more they endorsed situationist explanations, and the less they endorsed the evil essence explanation, the more positive their attitude to Germany. Among Germans, attributions were related to a higher motivation for historical closure, except for the obedience attribution that was related to low desire for closure. Israelis exhibited a low desire for historical closure especially when attribution for evil essence was high. These findings suggest that lay perceptions of history are essential to understanding contemporary intergroup processes.

 

 

 

New Article: Weiss, The Politics of Yiddish in Israeli Popular Culture

Weiss, Shayna. “Shtisel’s Ghosts: The Politics of Yiddish in Israeli Popular Culture.” In Geveb, March 6, 2016.

 

URL: http://ingeveb.org/blog/shtisel-s-ghosts-the-politics-of-yiddish-in-israeli-popular-culture

 

Extract

The popular embrace, in newspapers and talkbacks, of Shtisel’s Yiddish stands in contrast to the unease with which Arabic is received in Israeli society, even on television; Yiddish is a softer, safer other for mainstream Jewish Israeli viewers. Yet Yiddish is not feminized and defanged, because Shtisel succeeds in challenging those stereotypes by displaying the breadth of Yiddish in the Israeli Hasidic context. Shtisel also humanizes Israeli Haredim, whose reputation among secular Israelis is often stereotyped to the point of invoking anti-Semitic tropes. Not all non-Hebrew languages in Israel are created equal.

Thesis: Gilichinskaya, IDF Soldiers in Recent Israeli and Palestinian Cinema

Gilichinskaya, Yulia. All Sides of a Soldier: Representation of IDF Soldiers in Recent Israeli and Palestinian Cinema, MFA Thesis. State University of New York at Buffalo, 2016.

 

URL: http://gradworks.umi.com/10/01/10013504.html

 

Abstract

The Israel Defense Force (IDF) is a powerful military structure that defines social and cultural discourse in addition to existing as a military body in Israel and occupied Palestinian territories. Cinematic representations of IDF soldiers in recent Israeli and Palestinian cinema are emblematic of the social and cultural processes accompanying the development of the conflict. Responding to the events following the Second Intifada, Israeli and Palestinian films began to represent IDF soldiers in new ways. Soldiers depicted as victims, as members of marginalized groups, or in the background of the narrative appear in recent Israeli films. Palestinian cinema after 2000 offers representations of the IDF as the military machine and on the periphery of the plot.

 

 

 

ToC: Israel Affairs 22.2 (2016)

Israel Affairs, Volume 22, Issue 2, April 2016 is now available online on Taylor & Francis Online.

This new issue contains the following articles:

Articles
Writing Jewish history
David Vital
Pages: 257-269 | DOI: 10.1080/13537121.2016.1140346
How do states die: lessons for Israel
Steven R. David
Pages: 270-290 | DOI: 10.1080/13537121.2016.1140358Towards a biblical psychology for modern Israel: 10 guides for healthy living
Kalman J. Kaplan
Pages: 291-317 | DOI: 10.1080/13537121.2016.1140349

The past as a yardstick: Europeans, Muslim migrants and the onus of European-Jewish histories
Amikam Nachmani
Pages: 318-354 | DOI: 10.1080/13537121.2016.1140355

The mental cleavage of Israeli politics
Eyal Lewin
Pages: 355-378 | DOI: 10.1080/13537121.2016.1140352

Framing policy paradigms: population dispersal and the Gaza withdrawal
Matt Evans
Pages: 379-400 | DOI: 10.1080/13537121.2016.1140353

National party strategies in local elections: a theory and some evidence from the Israeli case
David Nachmias, Maoz Rosenthal & Hani Zubida
Pages: 401-422 | DOI: 10.1080/13537121.2016.1140356

‘I have two homelands’: constructing and managing Iranian Jewish and Persian Israeli identities
Rusi Jaspal
Pages: 423-443 | DOI: 10.1080/13537121.2016.1140348

Avoiding longing: the case of ‘hidden children’ in the Holocaust
Galiya Rabinovitch & Efrat Kass
Pages: 444-458 | DOI: 10.1080/13537121.2016.1140350

‘Are you being served?’ The Jewish Agency and the absorption of Ethiopian immigration |
Adi Binhas
Pages: 459-478 | DOI: 10.1080/13537121.2016.1140345

The danger of Israel according to Sheikh Yusuf Qaradawi
Shaul Bartal
Pages: 479-491 | DOI: 10.1080/13537121.2016.1140343

Leisure in the twenty-first century: the case of Israel
Nitza Davidovitch & Dan Soen
Pages: 492-511 | DOI: 10.1080/13537121.2016.1140347

Limits to cooperation: why Israel does not want to become a member of the International Energy Agency
Elai Rettig
Pages: 512-527 | DOI: 10.1080/13537121.2016.1140357

The attitude of the local press to marginal groups: between solidarity and alienation
Smadar Ben-Asher & Ella Ben-Atar
Pages: 528-548 | DOI: 10.1080/13537121.2016.1140344

The construction of Israeli ‘masculinity’ in the sports arena
Moshe Levy, Einat Hollander & Smadar Noy-Canyon
Pages: 549-567 | DOI: 10.1080/13537121.2016.1140351
Book Reviews
From empathy to denial: Arab responses to the Holocaust
Alice A. Butler-Smith
Pages: 568-570 | DOI: 10.1080/13537121.2016.1140354

Holocaust images and picturing catastrophe: the cultural politics of seeing
Alice A. Butler-Smith
Pages: 570-572 | DOI: 10.1080/13537121.2016.1140342s

New Article: Gavriely-Nuri, The Outbreak of Peace in Israeli Children’s Periodicals, 1977–79

Gavriely-Nuri, Dalia. “The Outbreak of Peace in Israeli Children’s Periodicals, 1977–1979.” Journal of Multicultural Discourses (early view; online first).

 
URL: http://dx.doi.org/10.1080/17447143.2016.1153643

 
Abstract

This study focuses on two exceptional moments in the Egyptian–Israeli history of conflict: the visit of President Anwar Sadat to Jerusalem in November 1977 and the signing of the Israeli–Egyptian peace treaty in March 1979. Combining peace studies, cultural studies and discourse analysis, the article analyzes the response of Israeli most popular children’s periodicals to these dramatic peace events in real time, during the months in which they occurred. The article’s contribution to peace research lies in its ability to shed light on how intergenerational discourse conveys peace legacy, a relatively neglected arena in peace research. In doing so, it likewise focuses on the discursive ‘failures’ embedded in the Israeli peace discourse.

 

 

 

New Article: Ozeri, The 2015 Jerusalem Biennale for Contemporary Jewish Art

Ozeri, Ram. “The 2015 Jerusalem Biennale for Contemporary Jewish Art.” Nashim 29 (2015): 142-6.
 
URL: http://www.jstor.org/stable/10.2979/nashim.29.142
 
Abstract

The Jerusalem Biennale is a platform for professional artists whose current work relates, in one way or another, to the world of Jewish content within the conceptual framework of contemporary Jewish art. It does not attempt to answer the questions of what contemporary Jewish art is, or whether there is such a thing at all. The Biennale endeavors to create spaces where the discussion can take place and develop.

Many people view the fields of “Jewish art” and “contemporary art” as mutually exclusive. Jewish art is often associated with Judaica –traditional objects used in religious rituals – while contemporary art is characterized by the use of modern media such as video, sound, installation and performance, and by themes relevant to the present. The main challenge of the Jerusalem Biennale is to promote art that is both Jewish and contemporary. This focus offers a promising alternative to the conventional boundaries of Israeli art and opens the event up to the Jewish world at large.

 

 

 

New Article: Etkin, The Creation of the Tel Aviv Zoological Garden Animal Collection

Etkin, Elia.”The Ingathering of (Non-Human) Exiles: The Creation of the Tel Aviv Zoological Garden Animal Collection, 1938–1948.” Journal of Israeli History (early view; online first).
 
URL: http://dx.doi.org/10.1080/13531042.2016.1140904
 
Abstract

This article examines the formation of the animal collection at the Tel Aviv zoological garden. Using Michel Foucault’s concept of heterotopia, the article analyzes the images and practices of animal importation. It shows that in spite of the importance of Zionist enthusiasm in driving the establishment of the Tel Aviv zoo, and the attribution of Zionist vocabulary to animals living in it, its significance cannot be reduced to Zionist ideology and practice. The zoo’s animal collection was the product of the specific historical, colonial-imperial circumstances formed under the British Mandate. The gathering of the animals reflects the indispensable British contribution to the development of cultural endeavors in Palestine, and the coexistence of British and Zionist aspirations.

 

 

 

Resources: New Website for the Corpus of Spoken Israeli Hebrew (CoSIH)

The site of The Corpus of Spoken Israeli Hebrew (CoSIH) has changed its location. The new address is http://cosih.com (Hebrew main page) or click here for English: http://cosih.com/english/index.html

Plans for The Corpus of Spoken Israeli Hebrew (CoSIH) started to take shape in 1998. CoSIH aimed at compiling a large database of recordings of spoken Israeli Hebrew in order to facilitate research in a range of disciplines. A corpus is a preliminary desideratum for larger projects that cannot otherwise be accomplished. The research potential of such a corpus is extremely large, including, inter alia, applications in the following areas: general and theoretical linguistics, Hebrew language and linguistics, applied linguistics, language engineering, education, and cultural and sociological studies.

CoSIH was designed with the intention to include a representative sample of both demographically and contextually defined varieties. The model according to which CoSIH would be compiled was to consist of a thousand sets of recordings (“cells”) with 5000 words each, i.e., a corpus of five million words. We have taken a culture-dependent approach for the compilation of CoSIH. CoSIH aspires to bridge between the infinite number of varieties used by the Israeli Hebrew speech community and their representation in the corpus, by characterizing their diversity in both demographic and contextual terms. CoSIH seems to be a first and singular attempt to establish a representative corpus using the axes of both demographic and contextual variables, based on statistical and analytic criteria.

The selection of informants for the recordings of CoSIH would be made by a random sample of the Israeli population, in order to reflect the social structure of the Israeli Hebrew speech community. The segmentation of the corpus for analytic purposes would be done using well-defined criteria, notwithstanding the fact that all sociolinguistic data of the recorded informants will be made available for CoSIH’s endusers. The working hypothesis of CoSIH is based on demographic criteria that seem to be most significant for the representation of the linguistic diversity in Israel: (1) place of birth, familial land of origin, ethnic group or religion; (2) age; (3) education; and (4) sex.1

For the analysis of the contextual variables for each discourse, CoSIH’s working hypothesis is based on five variables. There are three primary variables: interpersonal relationships, discourse structure and discourse topic; and two secondary variables: number of participants and medium (i.e. face-to-face conversation and telephone conversation).

A comprehensive study of the demographic and circumstantial variables in Hebrew discourse in Israel remains a desideratum. Therefore, in order to design a proper model for CoSIH, the setting of the corpus would be done in phases, during which a research program would be taken in order to verifty the wortking hypothesis suggested above.

This model was first published online, in both Hebrew and English. The English version eventually found its place in Hary & Izre’el 2003. A more sophisticated model has been published in English in Izre’el, Hary & Rahav 2001.

CoSIH was initiated, designed and operated by a team of Israeli and international scholars:

Core team: Shlomo Izre’el, Tel-Aviv University (director); Benjamin Hary, Emory University (principal investigator); John Du Bois, University of California at Santa arbara (corpus analyst); Mira Ariel, Tel-Aviv University (discourse analysis and pragmatics); Giora Rahav, Tel-Aviv University (statistics and sociology). Esther Borochovsky-Bar Aba, Tel Aviv University (syntax) joined the team at a later stage.

Advisory board: Eliezer Ben-Rafael, Tel Aviv University (sociolinguistics – sociological aspects); Yaakov Bentolila, Ben Gurion University (sociolinguistics – linguistic aspects); Otto Jastrow, Universität Erlangen-Nürnberg (transcription, phonology, dialectology); Shmuel Bolozky, University of Massachusetts at Amherst (phonology, morphology); Geoffrey Khan, Cambridge University (syntax); Elana Shohamy, Tel Aviv University (language education).

The Present State of CoSIH

As of 2012, this ambitious project still awaits its realization. The limited financial support that was at our disposal enabled us to compile two sets of recordings, the first of which was made during the initial preparatory phase, while the second was done as a pilot study. The initial preparatory phase produced 11 recordings spanning at least 6 hours each, with some being much longer. Although we initially designed a pilot of 20 sets of 3-hour recordings, we have eventually ended up with 42 sets, each including between 8 to 16 hours of uninterrupted recording of everyday speech. Taken together, we now possess 6 to 18 hour recordings by 53 volunteers, which we believe to be a reasonable source of data for the study of Spoken Hebrew. The recordings, which were all made between August 2000 and October 2002, are all real life conversations of CoSIH’s informants. As such, they naturally include both the speech of the volunteers who recorded them and their interlocutors.

 

New Article: Collins-Kreiner and Kliot, Particularism vs. Universalism in Hiking Tourism

Collins-Kreiner, Noga, and Nurit Kliot. “Particularism vs. Universalism in Hiking Tourism.” Annals of Tourism Research 56 (2016): 132-137.

 

URL: http://dx.doi.org/10.1016/j.annals.2015.10.007

 

Highlights

• “Particularism vs. universalism” adds a useful dimension to the tourism and leisure of hiking.
• Hiking is composed of two different systems: universalistic and particularistic.
• The dominant features of hiking the Israel National Trail are ‘communitas’, and ‘place attachment’.
• The varied multi-dimensional aspects of hiking could be located on a scale.

 

 

 

New Article: Ranta, Re-Arabizing Israeli Food Culture

Ranta, Ronald. “Re-Arabizing Israeli Food Culture.” Food, Culture & Society (early view; online first).

 

URL: http://dx.doi.org/10.1080/15528014.2015.1088192

 

Abstract

This paper examines the role Arab-Palestinian food plays in the construction of Israeli national identity and food culture. In particular, it sets out to understand the recent willingness in Jewish-Israeli society to acknowledge Arab, and to a lesser extent Arab-Palestinian, culture and food. This new phenomenon has resulted in the re-Arabization of Israeli food culture. For the first time Arab and Arab-Palestinian food is acknowledged, written about and celebrated. This follows a historically longer process in which the construction of Israeli identity and food culture was based on adaptation and imitation, leading to appropriation and nationalization of Arab-Palestinian food culture.

 

 

 

New Article: Gavriel-Fried & Shilo, Perception of Family in Israel and the United States

Gavriel-Fried, Belle, and Guy Shilo. “The Perception of Family in Israel and the United States. Similarities and Differences.” Journal of Family Issues (early view; online first).

 
URL: http://dx.doi.org/10.1177/0192513X15617798
 
Abstract

Social changes in recent years have led to a broadening of the definition of family. The perception of the concept of family among the American public was assessed in 2003 and 2006 by means of the Family Perception Scale, which found that the respondents fell into three clusters, dubbed Exclusionists, Moderates, and Inclusionists. Based on a sample of adult Jewish population in Israel (N = 1,518), this study examined whether these categories could apply to the Israeli public too, and if so, whether the distribution of these clusters were the same as in the United States. The study’s findings confirm that while this classification is well suited to the perception of family in Israel, the distribution of the three clusters differs from that in the United States. These findings may indicate that while global influences promote similar views of family structures, local influences may result in different cluster distribution patterns in each society.

 

 

 

New Article: Ofengenden, Therapy and Satire in Contemporary Israeli Film and Literature

Ofengenden, Ari. “National Identity in Global Times: Therapy and Satire in Contemporary Israeli Film and Literature.” The Comparatist 39 (2015): 294-312.

 

URL: https://dx.doi.org/10.1080/01419870.2015.1103877

 

Extract

To conclude let us step back and look at the effects of all of these transformation narratives together. These and other novels and films engage in a sustained reusing of the past and successfully transform the way people articulate their identity. They do this with an empathic retelling of the national story like Oz, with the German or Arab Israeli other as in the film Walk on Water and Arab Labor, or with a crazed narrator like Kaniuk’s and Castel-Bloom’s. Therapeutic interventions end with a working through of displacement and immigration, a heightened awareness of the effects of the Holocaust, and a new appreciation of the creative potential of Jewish identity and culture. Self-critical satire breaks open a monolithic national identity, exposing its constructed nature and calls for creative transformations. We can now ask why these two narratives are so central to the way literature and film re-imagine national identity in contemporary times. I think that the answer lies most prominently in globalization. International flows of culture, goods, and people help strengthen civil society in its critique and parody of state violence and state agents. Somewhat paradoxically, globalization also leads to a demand for specifically national narratives in the international market. In a recent talk, Salman Rushdie pointed out that contemporary writers are increasingly asked to mediate the story of a nation for an international audience. Indeed that is what his own Midnight’s Children did for India, what J. M. Coetzee’s Disgrace did for South Africa, Toni Morrison’s novels for the U.S., and Oz and Grossman for Israel. Thus we get narratives that are called to represent the nation on an international market but heal, critique, or poke fun at it at the same time. The system in which Hebrew literature finds itself has radically changed. Previously this system or field was constructed as a national field; now the field is constituted as semi-global. Some actors achieve international success while others remain domestic. Some mediate and explain the national story on the global stage while others parody the nation in order to change it.

Israeli national-cultural discourse is not a sole expression of some underlying economic forces that determine its content. However, its expression is a result of creative adaptation to economical and political pressures and opportunities that have become more and more global. Mainstream literature and culture has responded by articulating narratives that simultaneously reflect feelings of lack of political agency and an empathic apologetic self-representation for the global other. Minor literature in Israel saw an opportunity in the weakening of the state to articulate a critique in the form of parody that attempts to reconfigure national identity.

 

 

 

New Article: Betzer-Tayar et al, Barriers to Women’s Access to Decision-Making Positions in Sport Organizations

Betzer-Tayar, Moran, Sima Zach, Yair Galily, and Ian Henry. “Barriers to Women’s Access to Decision-Making Positions in Sport Organizations: The Case of Establishing a Girls’ Volleyball Academy in Israel.” Journal of Gender Studies (early view; online first).

 

URL: https://dx.doi.org/10.1080/09589236.2015.1111835

 

Abstract

The aim of this paper is to highlight the nature of the barriers facing women in terms of their participation in decision-making in Israeli sport, and to identify and evaluate some of the strategies and tactics adopted to overcome these barriers. This is done by making reference to a particular case study, the case of the process of establishing a major policy initiative in Israeli sport – the founding of the national Volleyball Academy for Young Talented Girls. The case is analyzed in order to identify how and why the goal of establishing the Academy was successful, and to consider what may be learned in terms of the implications for the tactics and strategies used that might be adopted by other women in similar circumstances.

 

 

 

ToC: Israel Studies 21.1 (2016; Narratives of the 1948 war)

Volume 21, Number 1, Spring 2016

Table of Contents

Representations of Israeli-Jewish — Israeli-Palestinian Memory and Historical Narratives of the 1948 War

Edited by Avraham Sela and Alon Kadish

ToC: Jewish Social Studies 21,1 (2015)

Jewish Social Studies 21.1 (2015)

Table of Contents

 Front Matter

JSS-Front

New Article: Hareli et al, A Cross-Cultural Study on Emotion Expression and the Learning of Social Norms

Hareli, Shlomo, Konstantinos Kafetsios, and Ursula Hess. “A Cross-Cultural Study on Emotion Expression and the Learning of Social Norms.” Frontiers in Psychology 6 (2015).

 

URL: http://dx.doi.org/10.3389/fpsyg.2015.01501

 

Abstract

When we do not know how to correctly behave in a new context, the emotions that people familiar with the context show in response to the behaviors of others, can help us understand what to do or not to do. The present study examined cross-cultural differences in how group emotional expressions (anger, sadness, neutral) can be used to deduce a norm violation in four cultures (Germany, Israel, Greece, and the US), which differ in terms of decoding rules for negative emotions. As expected, in all four countries, anger was a stronger norm violation signal than sadness or neutral expressions. However, angry and sad expressions were perceived as more intense and the relevant norm was learned better in Germany and Israel than in Greece and the US. Participants in Greece were relatively better at using sadness as a sign of a likely norm violation. The results demonstrate both cultural universality and cultural differences in the use of group emotion expressions in norm learning. In terms of cultural differences they underscore that the social signal value of emotional expressions may vary with culture as a function of cultural differences, both in emotion perception, and as a function of a differential use of emotions.

 

 

Workshop: Erez on Greek Popular Music; Rosenhek on Israel’s Political Economy (NYU, Dec 4, 2015)

12/4/15 – Taub Center Graduate Workshop

 

10am – 2pm

The Taub Center organizes regular workshops for graduate students and faculty in the field of Israel Studies at NYU and other universities in the tri-state area. The regional workshops are an opportunity for students and faculty to present and discuss their respective areas of research.  The workshops also serve as an important forum for networking and strengthening the field of Israel Studies.

First Floor, 14A Washington Mews

Coffee is served from 10 – 10:30am, and a kosher lunch served at noon.

 

RSVP here.

 

10:30am
Oded Erez
UCLA

Becoming Mediterranean: Greek Popular Music and the Politics of Ethnicity in Israel

Oded Erez is a doctoral candidate in the Department of Musicology and the Program in Experimental Critical Theory at UCLA. His current research focuses on the politics of ethnicity, diaspora, and vernacular cosmopolitanism in popular music and film. He has presented his work in wide range of disciplinary contexts, including at the annual meetings of the American Musicological Society, the American Comparative Literature Association, and the  Association for Israel Studies. He currently teaches at the Hebrew University’s School of Arts. His paper “The Practice of Quoting Everyday Life: Quotation as Political Praxis in the songs of HaBiluim” will be published in the upcoming issue of Theory and Criticism (Teoria U’vikoret).

 

12:30pm
Ze’ev Rosenhek
The Open University of Israel

The Dynamics of Israel’s Political Economy: Change and Continuity in State-Economy Relations

Zeev Rosenhek is Associate Professor in the Department of Sociology, Political Science and Communication at the Open University of Israel. His main research interests lie in the fields of political and economic sociology, with a particular focus on processes of institutional change and continuity in state-economy relations. He has conducted research on the political economy of the welfare state, labor migration, and the politics of institutionalization of the neo-liberal regime in Israel. He is the co-author of The Israeli Central Bank: Political Economy, Global Logics and Local Actors (Routledge, 2011) with Daniel Maman, and has published numerous articles in books and journals. He is currently conducting research on the emergence and dynamics of the institutional field of financial literacy in Israel and its interfaces with transnational knowledge and policy networks.

 

New Article: Perkins, Translating the Television ‘Treatment’ Genre: Be’Tipul and In Treatment

Perkins, Claire. “Translating the Television ‘Treatment’ Genre: Be’Tipul and In Treatment.” Continuum 29.5 (2015): 781-94.

 

URL: http://dx.doi.org/10.1080/10304312.2015.1068730

 

Abstract

In Treatment (2008–2010) was the first Israeli series to be remade for US television, and its largely positive critical reception established a reputation for Israel as a home for quality drama – setting the stage for the remake of Hatufim (Prisoners of War, 2009–2012) into Homeland (2011–). This article takes up the case of In Treatment to examine how the process of transnational television remaking can illuminate the concept of US quality television in the millennial era. Arguing that the aesthetic and industrial brand of ‘quality’ is defined by the theme and device of transformation, the article analyses how the American remake gradually diverges from the original series Be’Tipul (2005–2008) to accentuate this concept in its stories and narrative style. The resulting text presents the quintessential contemporary example of what I call the television ‘treatment’ genre: a mode of programming that operates by centripetal narrative complexity to present ‘serial selves,’ or characters whose time in therapy produces progressive or regressive modifications in their emotional state. When read against the more halting and circular narratives of Be’Tipul, this format demonstrates a clear socio-cultural remapping of its topic: where therapeutic culture in America is presented as a site that is underpinned by contested neoliberal ideologies on the government of subjectivity.