Strohm, Kiven. Impossible Identification. Contemporary Art, Politics and the Palestinians in Israel. University of Montreal, 2013.
URL: http://search.proquest.com/docview/1504845797
Abstract
This thesis explores what it means for the Palestinian indigenous minority in Israel to produce art in a setting that has simultaneously controlled their movements and excluded them from full citizenship. It takes on the question of how Palestinian artists face discrimination within a monolithic state structure that defines itself primarily along religious and ethno-national lines. Most writing about art in colonial and postcolonial contexts tends to see art as a resource for asserting repressed ethnic, racial and indigenous identities in the face of ongoing control and domination. Art, in other words, is considered a political act of recognition through the assertion of a counter identity. The central question of this thesis concerns what happens when artists contest the colonial conditions within which they live without having recourse to identity-based claims about equality and rights. Based on intensive ethnographic fieldwork in the region, this research demonstrates that for Palestinian artists the political aspect of art is not related to claims about identity and that the relationship between art and identity is not homologous. Specifically, it explores artistic processes within a context in which spatiotemporal regimes of identification are being disrupted by an indigenous national minority. It establishes that politics in the case of Palestinian artists in Israel is a form of disidentification that is articulated through the figure of the present absentee. The central tropes found within the works of these artists can be seen as disruptive aesthetic acts, a “taking place” of politics that is between art and non-art, and outside of given identities; that is, a scene for the rupture of the “sensible order” of Israeli society through the affirmation and verification of an already existing equality.
Subject: Cultural anthropology
Classification: 0326: Cultural anthropology
Identifier / keyword: Social sciences, Visual art, Aesthetics, Palestine, Israel, Colonialism, Haifa,
Number of pages: 278
Publication year: 2013
Degree date: 2013
School code: 0992
Source: DAI-A 75/06(E), Dec 2014
Place of publication: Ann Arbor
Country of publication: United States
ISBN: 9780499277718
Advisor: White, Bob
University/institution: Université de Montréal (Canada)
Department: Faculté des arts et des sciences
University location: Canada
Degree: Ph.D.
Source type: Dissertations & Theses
Language: English
Document type: Dissertation/Thesis
Dissertation/thesis number: NS27771
ProQuest document ID: 1504845797
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