Thesis: Ichikawa, Minorities in Contemporary Hebrew and Japanese Literature

Ichikawa, Kimiko. Minorities, Minority Identity and Violence: The Comparison in Contemporary Hebrew and Japanese Minor Literature, Masters Thesis. Brandeis University, 2016.

 

URL: http://bir.brandeis.edu/handle/10192/32275

 

Abstract

This thesis examines how minority identities are depicted in contemporary autobiographical literature from the 1990’s to present. In this thesis, I focus my analysis on minority literatures from Israel and Japan. In spite of the extreme rarity of the literary comparison, I examine minorities of Israeli Arab and the second generation Japanese Koreans. I explore how these minorities with different histories are represented, with shared experience of oppression and violence, and analyze the phenomena or ramifications in minority identity. By analyzing famous novelists of minority literature— Israeli Arab author, Sayed Kashua and two Japanese Korean authors, Yi Yang-ji and Kazuki Kaneshiro—I concentrate on pointing out the influences and outcomes of psychological and political violence (Chapter I and II) to their minority identities. This comparison will enable a wider perspectives regarding minorities in various societies, and an analysis of issues of relating to minority as well as race identity in modern life. This unique literary comparison attempts to examine cultural and political similarities as well as differences in order to explore the phenomena of two countries with different cultures but that share certain similarities, particularly in the articulation of their minority literature. Although Israel and Japan differ very much in term of culture and history, I still find significant similarities in the minority literature. The minorities I examined in Hebrew and Japanese minor literature interact with violence in various ways each society. I focused my examination especially on psychological and political violence in addition to physical violence. My questions in researching this minority literature revolve around how these minorities relate to these kinds of violence. This thesis concentrates on presenting the ways that these the minority authors address their own political identities, and the ways that social violence and oppression influence their minority identities.

 

 

 

New Book: Cohen, Literary Imagination in Israel-Palestine

Cohen, Hella Bloom. The Literary Imagination in Israel-Palestine. Orientalism, Poetry, and Biopolitics, Postcolonialism and Religions. Basingstoke: Palgrave Macmillan, 2016.

literary imagination

This book presents a cutting-edge critical analysis of the trope of miscegenation and its biopolitical implications in contemporary Palestinian and Israeli literature, poetry, and discourse. The relationship between nationalism and demographics are examined through the narrative and poetic intrigue of intimacy between Arabs and Jews, drawing from a range of theoretical perspectives, including public sphere theory, orientalism, and critical race studies. Revisiting the controversial Brazilian writer Gilberto Freyre, who championed miscegenation in his revisionary history of Brazil, the book deploys a comparative investigation of Palestinian and Israeli writers’ preoccupation with the mixed romance. Author Hella Bloom Cohen offers new interpretations of works by Mahmoud Darwish, A.B. Yehoshua, Orly Castel-Bloom, Nathalie Handal, and Rula Jebreal, among others.

Table of Contents

  • Acknowledgments
  • 1. Introduction to Israeli-Palestinian Literature and Postcolonial Studies: An Uneasy Relationship
  • 2. Reading Freyre in the Holy Land
  • 3. “The Synthetic Principle”: Darwish’s “Rita”
  • 4. “Intimate Histories”: Internal Miscegenation in A. B. Yehoshua’s A Late Divorce
  • 5. “Mixed Syndicate”: Poetics of Fabric under Occupation
  • 6. Reading past Freyre: Disembodied Miscegenation
  • Notes
  • Bibliography
  • Index

 

HELLA BLOOM COHEN is an assistant professor of English at St. Catherine University, USA. She previously held a visiting assistant professorship at Elon University, and has published on material culture and global literature.

 

 

 

New Article: Bar-Yosef, Heart of Darkness in Israeli Culture

Bar-Yosef, Eitan. “‘The Horror’ in Hebrew. Heart of Darkness in Israeli Culture.” Interventions (early view; online first).

 

URL: http://dx.doi.org/10.1080/1369801X.2015.1079499

 

Abstract

Tracing the intricate presence of Joseph Conrad’s Heart of Darkness in Israeli culture, this essay explores how elements of the novella (the journey to Africa, the iconic Kurtz, and the nature of ‘darkness’) have been repeatedly evoked, both implicitly and explicitly, in various cultural contexts. Focusing on three major episodes – the emergence of political Zionism in the 1890s; young Israel’s intensive involvement in Black Africa in the 1960s; and the pessimism that engulfed Israeli society after the 1973 war – the essay suggests that the novella’s relevance to Israeli culture is rooted in the work’s fluid allegorical mode, which parallels tensions and contradictions that have characterized the Zionist project from its inception. This mirroring reached a climax in the journalistic work of Adam Baruch, who offered a highly stylized postcolonial reworking of Heart of Darkness in his influential account of a journey undertaken to find a disgraced Israeli general, self-exiled in Africa. The search for the Israeli ‘Kurtz’ thus continues to function as a powerful emblem of Israel’s colonial violence.

 

 

Dissertation: Amihay, The Imagetext Turn in the Hebrew Novel

Amihay, Ofra. Migrating Images: The Imagetext Turn in the Hebrew Novel. New York University, 2014.

 

URL: http://search.proquest.com/docview/1518939613

 

Abstract

This dissertation examines the effect of twentieth-century “new media” models on literature, in the form of the late twentieth-century wave of literary works in which visual images play a central poetic role. Demarcating this body of works as an independent cultural turn, I label this “the imagetext turn” thus following two groundbreaking terms coined by W. J. T. Mitchell, “the pictorial turn” and “imagetext.” Based on philosophical discussions regarding the egalitarianism behind text and image hybrids (Benjamin, Rancière, Mitchell), and theories of the democratic nature of the novel (Auerbach, Lukács, Bakhtin) and photography (Sontag, Barthes, Azoulay), I focus on the marriage of novels and photographs. The case study for this exploration is three contemporary Israeli novelists: Yoel Hoffmann, Ronit Matalon, and Michal Govrin. Following a survey of the approach towards the visual image in Modern Hebrew literature, I identify their works as comprising the “imagetext turn” in Hebrew literature while marking their importance within a general literary development, primarily through a comparison to W. G. Sebald’s novels. My study of Hoffmann analyzes the web of Others in his novels through the photographic mechanism of the negative, suggesting the juxtaposition of text and photographs in How Do You Do Dolores echoes the Other behind text, place, and language in all his work. In my analysis of Matalon I discuss the double role photographs play in Matalon’s pursuit of postcolonial ideas in The One Facing Us, operating both as “portable roots” and as “poetic immigrants,” thus offering a subversive reading of reality that undermines nostalgia. Finally I show how through an intricate combination of narrative and visual images Govrin creates in Snapshots a literary representation of both the ideals and the blind spots of the 1990s left-wing movement of secular return to Jewish sources in Israel.

Subject: Comparative literature; Middle Eastern literature; Judaic studies

Classification: 0295: Comparative literature; 0315: Middle Eastern literature; 0751: Judaic studies

Identifier / keyword: Language, literature and linguistics, Social sciences, Hebrew literature, Govrin, Michal, Photography, Matalon, Ronit, Sebald, W. G., Hoffmann, Yoel

Number of pages: 308

Publication year: 2014

Degree date: 2014

School code: 0146

Source: DAI-A 75/07(E), Jan 2015

Place of publication: Ann Arbor

Country of publication: United States

ISBN: 9781303805424

Advisor: Feldman, Yael

Committee member: Hirsch, Marianne; Mann, Barbara E.; Engel, David; Kaplan, Marion

University/institution: New York University

Department: Hebrew and Judaic Studies

University location: United States — New York

Degree: Ph.D.

Source type: Dissertations & Theses

Language: English

Document type: Dissertation/Thesis

Dissertation/thesis number: 3614848

ProQuest document ID: 1518939613

ToC: Israel Affairs 20,2 (2014): Special Issue, Politics and Poetry

Israel Affairs 20,2 (2014)

Special Issue: Politics and Poetry in Israel

http://www.tandfonline.com/toc/fisa20/20/2

 

Articles

Poetry and poets in the public sphere

Assaf Meydani & Nadir Tsur; pages 141-160

  • DOI:10.1080/13537121.2014.889889
  • Published online: 01 Apr 2014

The leader as a poet: the political and ideological poetry of Ze’ev Jabotinsky

Arye Naor; pages 161-181

  • DOI:10.1080/13537121.2014.889890
  • Published online: 22 May 2014

The image of the ‘living-dead’ in Nathan Alterman’s poetry: from archetype to national symbol

Ortsion Bartana; pages 182-194

  • DOI:10.1080/13537121.2014.889886
  • Published online: 29 May 2014

The art of politics and poetry: the political poetry of Jacques Prevert and Aryeh Sivan

Samuel (Muli) Peleg; pages 195-213

  • DOI:10.1080/13537121.2014.889892
  • Published online: 07 May 2014

Hegemony inside and out: Nathan Alterman and the Israeli Arabs

Yochai Oppenheimer; pages 214-225

  • DOI:10.1080/13537121.2014.889891
  • Published online: 04 Apr 2014

‘Silent in white ink’: the motif of silence in Israeli-Palestinian women’s poetry translated from Arabic to Hebrew

Leah Baratz & Roni Reingold; pages 226-239

  • DOI:10.1080/13537121.2014.889885
  • Published online: 16 Apr 2014

Politics and poetry in the works of Shalom Shabazī

Yosef Tobi; pages 240-255

  • DOI:10.1080/13537121.2014.889893
  • Published online: 14 Apr 2014

Why did poetry and piyut disappear from the religious-Zionist High Holy Day prayer book, and what prompted their return?

Shimon Fogel; pages 256-270

  • DOI:10.1080/13537121.2014.889887
  • Published online: 04 Apr 2014

An Israeli Bob Dylan is yet to be born: the politics of Israeli protest music

Yitzhak Katz; pages 271-279

  • DOI:10.1080/13537121.2014.889888
  • Published online: 26 Mar 2014

Cite: Bar-Yosef, Haifa as Futuristic Urban Fantasy in Herzl’s Altneuland and Guttenberg’s A Modern Exodus

Bar-Yosef, Eitan. “New Cities for New Jews: Haifa as Futuristic Urban Fantasy in Theodor Herzl’s Altneuland and Violet Guttenberg’s A Modern Exodus.” Journal of Modern Jewish Studies 12.2 (2013): 162-83.

 

URL: http://www.tandfonline.com/doi/abs/10.1080/14725886.2013.796155

 

Abstract

This essay explores the representation of the modern Jewish city in Palestine, envisioned in two fin-de-siècle futuristic tales: Theodor Herzl’s Altneuland (1902) and Violet Guttenberg’s A Modern Exodus (1904). Focusing on the northern port city of Haifa, transformed by the Jews from a poor Oriental town into a thriving Europeanized metropolis, both novelists employ the city’s spatial, cultural, and human features to present radically different views concerning the national Jewish rejuvenation: for Herzl, it becomes a utopian triumph; for Guttenberg, a deplorable failure. Notwithstanding their different assessments of the Zionist vision, both authors share certain antisemitic assumptions about the nature of “the Jew” (greedy, intolerant, vulgar), which are inscribed into the urban space. Herzl’s ideal Haifa is designed precisely to reform the diaspora Jew by introducing such modern urban measures that would render these detestable Jewish traits obsolete. Guttenberg’s disordered city, in comparison, reflects an inability to alter the Jewish character: no wonder that London, not Haifa, becomes the final destination of her “Modern Exodus.”