Dissertation: Strohm, Contemporary Art, Politics and the Palestinians in Israel

Strohm, Kiven. Impossible Identification. Contemporary Art, Politics and the Palestinians in Israel. University of Montreal, 2013.

 

URL: http://search.proquest.com/docview/1504845797

 

Abstract

This thesis explores what it means for the Palestinian indigenous minority in Israel to produce art in a setting that has simultaneously controlled their movements and excluded them from full citizenship. It takes on the question of how Palestinian artists face discrimination within a monolithic state structure that defines itself primarily along religious and ethno-national lines. Most writing about art in colonial and postcolonial contexts tends to see art as a resource for asserting repressed ethnic, racial and indigenous identities in the face of ongoing control and domination. Art, in other words, is considered a political act of recognition through the assertion of a counter identity. The central question of this thesis concerns what happens when artists contest the colonial conditions within which they live without having recourse to identity-based claims about equality and rights. Based on intensive ethnographic fieldwork in the region, this research demonstrates that for Palestinian artists the political aspect of art is not related to claims about identity and that the relationship between art and identity is not homologous. Specifically, it explores artistic processes within a context in which spatiotemporal regimes of identification are being disrupted by an indigenous national minority. It establishes that politics in the case of Palestinian artists in Israel is a form of disidentification that is articulated through the figure of the present absentee. The central tropes found within the works of these artists can be seen as disruptive aesthetic acts, a “taking place” of politics that is between art and non-art, and outside of given identities; that is, a scene for the rupture of the “sensible order” of Israeli society through the affirmation and verification of an already existing equality.

 

 

Subject: Cultural anthropology

Classification: 0326: Cultural anthropology

Identifier / keyword: Social sciences, Visual art, Aesthetics, Palestine, Israel, Colonialism, Haifa,

Number of pages: 278

Publication year: 2013

Degree date: 2013

School code: 0992

Source: DAI-A 75/06(E), Dec 2014

Place of publication: Ann Arbor

Country of publication: United States

ISBN: 9780499277718

Advisor: White, Bob

University/institution: Université de Montréal (Canada)

Department: Faculté des arts et des sciences

University location: Canada

Degree: Ph.D.

Source type: Dissertations & Theses

Language: English

Document type: Dissertation/Thesis

Dissertation/thesis number: NS27771

ProQuest document ID: 1504845797

 

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